Television Series | 288 Titles
Puberty Blues (2012)
| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo
House M.D. (2004)
| Cinematography by | Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger | Editing by | Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Blue Bloods (2010)
| Cinematography by | Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey | Editing by | Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky
Cameras | ARRI ALEXA Camera, Red One MX Camera
Girls (2012)
| Cinematography by | Tim Ives, Jody Lee Lipes, Matthew Santo, Hernan Otaño | Editing by | Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras | ARRI ALEXA Camera
Burn Notice (2007)
| Cinematography by | William Wages, Bart Tau, Roy H. Wagner, Dennis Hall, Tiko Pavoni, Paul Krumper | Editing by | Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Eagleheart (2010)
| Cinematography by | Christian Sprenger | Editing by | Eric Notarnicola, Benjamin Berman, Seth Clark, Daniel Haworth, Michael Giambra, Steve Welch, Kabir Akhtar
Cameras | Red One Camera
Arrested Development (2003)
| Cinematography by | Greg Harrington, Patrick Alexander Stewart, Peter Lyons Collister, James Hawkinson, Chuck Ozeas | Editing by | Richard Candib, Seth Clark, Christopher M. Stewart, Kabir Akhtar, Robert Bramwell, A.J. Dickerson, Lee Haxall, Steven Sprung, Stuart Bass, Lane Farnham, Ruthie Aslan, Todd Zelin, Mark Scheib, Frank McGrath
Cameras | Panasonic AJ-HDC27 Varicam Camera, Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
How I Met Your Mother (2005)
| Cinematography by | Chris La Fountaine, Steven V. Silver | Editing by | Susan Federman, Kirk Benson
Cameras | Sony CineAlta F23 Camera
Agents of S.H.I.E.L.D. (2013)
| Cinematography by | Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell | Editing by | Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane
The Guild (2007)
| Cinematography by | Chris Darnell, John Schmidt, Tahlee Scarpitti, Carl Ratajski, Jared Hoy | Editing by | Sean Becker, Matthew Philip Smith, Nick Towle, James Deuling, Jane Selle Morgan, Greg Benson, Matt Smith, Scott Turner, Kim Evey, Barry Gribble
Psych (2006)
| Cinematography by | Michael McMurray, Scott Williams, Gregory Middleton | Editing by | David Crabtree, Dexter N. Adriano, Eric Jenkins, Allan Lee, Gordon Rempel, David Grecu, James Ilecic, Kelly Stuyvesant, Clayton Woodhull
Dollhouse (2009)
| Cinematography by | Lisa Wiegand, Ross Berryman, Rodney Charters | Editing by | Peter Basinski, Paul Trejo, Elena Maganini, Harry B. Miller III, Sunny Hodge, George Pilkinton
Lenses | Panavision Lenses
Angel (1999)
| Cinematography by | Ross Berryman, Herbert Davis | Editing by | Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
Firefly (2002)
| Cinematography by | David Boyd | Editing by | Sunny Hodge, Lisa Lassek, John Peter Bernardo
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Super Speed Lenses
The New Normal (2012)
| Cinematography by | Carlos González, Michael Goi | Editing by | Philip Harrison, Colin Johnson, Andrew Groves
Cameras | ARRI ALEXA Camera, Sony CineAlta F65 Camera
Made in Jersey (2012)
| Cinematography by | Daryn Okada, Bobby Bukowski | Editing by | Philip Carr Neel, Mark Bourgeois, Janet Ashikaga
Cameras | Sony CineAlta F65 Camera
Lenses | Panavision Lenses
Save Me (2013)
| Cinematography by | Lloyd Ahern II | Editing by | Gregg Featherman, Elba Sanchez-Short, Dan Schalk, Tara Timpone
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Lenses
Person of Interest (2011)
| Cinematography by | Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski | Editing by | Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
TORC – The Off-Road Championships (2012)
The Hour (2011)
| Cinematography by | Chris Seager, David Luther | Editing by | Gareth C. Scales, Xavier Russell, Nick Arthurs, Paul Machliss
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
