Assistant: Mr. Pratt
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Assistant: Mr. Pratt
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Assistant: Mr. Pratt
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Assistant To Mr. Pratt
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Production Liaison
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Assistant: Duncan Henderson, Post-production Coordinator
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Assistant: Mr. Hallowell, Post-production Coordinator
The Dilemma (2011)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Assistant: Ms. McGill, Post-production Coordinator
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Assistant To Producers, Post-production
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Assistant To Producers
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Assistant Production Coordinator
Road Trip (2000)
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Production Coordinator: Second Unit
Black Dog (1998)
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Production Coordinator
A Christmas Memory (1997)
Directed by: Glenn Jordan
Cinematography by: Neil Roach
Edited by: David A. Simmons
Assistant Coordinator
Getting Out (1994)
Directed by: John Korty
Cinematography by: William Wages
Edited by: Jim Oliver
Assistant Production Coordinator
Midnight Edition (1993)
Directed by: Howard Libov
Cinematography by: Alik Sakharov
Edited by: Yosef Grunfeld
Production Assistant
To Dance with the White Dog (1993)
Directed by: Glenn Jordan
Cinematography by: Neil Roach
Edited by: Bill Blunden
Assistant Production Coordinator
Trespass (1992)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
