Digital Compositor
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Matte Painter: Brainstorm Digital
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Digital Matte Painter
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Digital Matte Painter
Uncut Gems (2019)
Cinematography by: Darius Khondji
Matte Painter: Brainstorm Digital
Hereditary (2018)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Cameras: ARRI ALEXA Mini Camera
Digital Compositor: Brainstorm Digital
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
Compositor
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Compositor
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Compositor
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Compositor
Girls Trip (2017)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: Sony PMW-F55 Camera
Digital Matte Painter
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Compositor
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera