Ji Hye Kim

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Ad Astra | ShotOnWhat?

Digital Compositor

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Midsommar | ShotOnWhat?

Matte Painter: Brainstorm Digital

Midsommar (2019)

Directed by: Ari Aster

Cinematography by: Pawel Pogorzelski

Edited by: Lucian Johnston

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision Primo Artiste Lenses

The Lighthouse | ShotOnWhat?

Digital Matte Painter

The Lighthouse (2019)

Directed by: Robert Eggers

Cinematography by: Jarin Blaschke

Edited by: Louise Ford

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Bausch & Lomb Lenses, Pathé Lenses

Uncut Gems | ShotOnWhat?

Digital Matte Painter

Uncut Gems (2019)

Directed by: Benny Safdie, Josh Safdie

Cinematography by: Darius Khondji

Edited by: Ronald Bronstein, Benny Safdie

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Hereditary | ShotOnWhat?

Matte Painter: Brainstorm Digital

Hereditary (2018)

Directed by: Ari Aster

Cinematography by: Pawel Pogorzelski

Edited by: Lucian Johnston, Jennifer Lame

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Primes Spherical Lenses

Boy Erased | ShotOnWhat?

Digital Compositor: Brainstorm Digital

Boy Erased (2018)

Directed by: Joel Edgerton

Cinematography by: Eduard Grau

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses: Zeiss Super Speed Lenses

Ocean's Eight | ShotOnWhat?

Compositor

Ocean's Eight (2018)

Directed by: Gary Ross

Cinematography by: Eigil Bryld

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Mother! | ShotOnWhat?

Compositor

Mother! (2017)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

Mudbound | ShotOnWhat?

Compositor

Mudbound (2017)

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Girls Trip | ShotOnWhat?

Compositor

Girls Trip (2017)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Greatest Showman | ShotOnWhat?

Digital Matte Painter

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Collateral Beauty | ShotOnWhat?

Compositor

Collateral Beauty (2016)

Directed by: David Frankel

Cinematography by: Maryse Alberti

Edited by: Andrew Marcus

Cameras: ARRI ALEXA XT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

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