Re-recording Mixer
A Haunted House (2013)
Directed by: Michael Tiddes
Cinematography by: Steve Gainer
Edited by: Suzanne Hines
Re-recording Mixer / Supervising Sound Editor
John Dies at the End (2012)
Directed by: Don Coscarelli
Cinematography by: Mike Gioulakis
Cameras: Aaton XTR Plus Camera, ARRI ALEXA XT M Camera
Music Mixer: Songs, Re-recording Mixer / Sound Supervisor
The Ghastly Love of Johnny X (2012)
Directed by: Paul Bunnell
Cinematography by: Francisco Bulgarelli
Edited by: Russell Harnden III
Re-recording Mixer
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Re-recording Mixer
Finish Line (2008)
Directed by: Gerry Lively
Cinematography by: Maximo Munzi
Edited by: Colleen Halsey
Re-recording Mixer
The American Mall (2008)
Directed by: Shawn Ku
Cinematography by: Matthew Williams
Edited by: Don Brochu
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Re-recording Mixer
Tooth and Nail (2007)
Directed by: Mark Young
Cinematography by: Gregg Easterbrook
Edited by: Mark Young
Re-recording Mixer
Cloud 9 (2006)
Directed by: Harry Basil
Cinematography by: Michael Goi
Edited by: Rick Tuber
Re-recording Mixer
Undisputed 2: Last Man Standing (2006)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Re-recording Mixer / Sound Supervisor
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Studio President: Mercury Sound Studios
Harsh Times (2005)
Directed by: David Ayer
Cinematography by: Steve Mason
Edited by: Conrad Buff IV
Re-recording: Mercury Sound Studios
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Re-recording Mixer
The Long Shot (2004)
Directed by: Georg Stanford Brown
Cinematography by: Geza Sinkovics
Edited by: Jennifer Jean Cacavas
Re-recording Mixer / Sound Supervisor
Wild Things 2 (2004)
Directed by: Jack Perez
Cinematography by: Seo Mutarevic
Edited by: Axel Hubert
Re-recording Mixer / Sound Supervisor
Shortcut to Happiness (2003)
Directed by: Alec Baldwin
Cinematography by: Adam Holender
Re-recording Mixer / Supervising Sound Editor
Narc (2002)
Directed by: Joe Carnahan
Cinematography by: Alex Nepomniaschy
Edited by: John Gilroy
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer / Sound Supervisor
Kiss the Bride (2002)
Directed by: Vanessa Parise
Cinematography by: Rob Sweeney
Re-recording Mixer / Sound Supervisor
Bubba Ho-Tep (2002)
Directed by: Don Coscarelli
Cinematography by: Adam Janeiro
Cameras: ARRIFLEX 535 Camera
Re-recording Mixer / Sound Supervisor
Diary of a Sex Addict (2001)
Directed by: Joseph Brutsman
Cinematography by: Nathan Hope
Edited by: Greg Tillman
Re-recording Mixer / Sound Supervisor
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Re-recording Mixer
Ripper (2001)
Directed by: John Eyres
Cinematography by: Tom Harting
Edited by: Amanda I. Kirpaul
Re-recording Mixer
Luck of the Draw (2000)
Directed by: Luca Bercovici
Cinematography by: Keith L. Smith
Re-recording Mixer / Sound Supervisor
For the Cause (2000)
Cinematography by: Adolfo Bartoli
Edited by: Irit Raz
Re-recording Mixer / Sound Supervisor
A Rumor of Angels (2000)
Directed by: Peter O'Fallon
Cinematography by: Roy H. Wagner
Edited by: Louise Rubacky
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Re-recording Mixer / Sound Supervisor
A Dog of Flanders (1999)
Directed by: Kevin Brodie
Cinematography by: Walther van den Ende
Edited by: Annamaria Szanto
Cameras: ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Re-recording Mixer / Sound Supervisor
On the Border (1998)
Directed by: Bob Misiorowski
Cinematography by: Lawrence Sher
Edited by: Alain Jakubowicz
Re-recording Mixer / Sound Supervisor
Gang Land (1998)
Directed by: Randolph Kret
Cinematography by: Nils Erickson
Edited by: Bill DeRonde
Re-recording Mixer / Sound Supervisor
Progeny (1998)
Directed by: Brian Yuzna
Cinematography by: James Hawkinson
Re-recording Mixer
Point Blank (1998)
Directed by: Matt Earl Beesley
Cinematography by: Keith L. Smith
Edited by: Edward R. Abroms
Re-recording Mixer / Sound Supervisor
The Dentist 2 (1998)
Directed by: Brian Yuzna
Cinematography by: Jürgen Baum
Edited by: Christopher Roth
Re-recording Mixer
Drive (1997)
Directed by: Steve Wang
Cinematography by: Michael G. Wojciechowski
Edited by: Ivan Ladizinsky
Lead Mixer / Sound Supervisor
Retroactive (1997)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Re-recording Mixer / Sound Supervisor
My Brother Jack (1997)
Directed by: Anthony Caldarella
Cinematography by: Ben Kufrin
Edited by: Louis Cioffi
Re-recording Mixer / Sound Supervisor
Freeway (1996)
Directed by: Matthew Bright
Cinematography by: John Thomas
Edited by: Maysie Hoy
Post-production Supervisor, Re-recording Mixer / Sound Supervisor
The Prophecy (1995)
Directed by: Gregory Widen
Edited by: Sonny Baskin
Re-recording Mixer
Fist of the North Star (1995)
Directed by: Tony Randel
Cinematography by: Jacques Haitkin
Edited by: Sonny Baskin
Re-recording Mixer / Sound Supervisor
Relentless IV: Ashes to Ashes (1994)
Directed by: Oley Sassone
Cinematography by: Russ Brandt
Edited by: Glenn Garland
Re-recording Mixer / Supervising Sound Editor
When the Bough Breaks (1994)
Directed by: Michael Cohn
Cinematography by: Michael Bonvillain
Edited by: Stephen Butler
Re-recording Mixer / Supervising Adr Editor
3 Ninjas Kick Back (1994)
Directed by: Charles T. Kanganis
Cinematography by: Christopher Faloona
Cameras: ARRI Cameras
Re-recording Mixer
Teresa's Tattoo (1994)
Directed by: Julie Cypher
Cinematography by: Sven Kirsten
Edited by: Christopher Rouse
Supervising Sound Editor
Midnight Edition (1993)
Directed by: Howard Libov
Cinematography by: Alik Sakharov
Edited by: Yosef Grunfeld
Re-recording Mixer / Supervising Sound Editor
Love, Cheat & Steal (1993)
Directed by: William Curran
Cinematography by: Kent L. Wakeford
Edited by: Carole Kravetz Aykanian
Adr Recordist / Re-recording Mixer
Rage and Honor II (1993)
Directed by: Guy Norris
Cinematography by: Thomas L. Callaway
Edited by: Karen D. Joseph
Music Recording
Phantasm (1979)
Directed by: Don Coscarelli
Cinematography by: Don Coscarelli
Edited by: Don Coscarelli
Cameras: Panavision Cameras
