Digital Intermediate Supervisor
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Digital Intermediate Supervisor
L'effet aquatique (2016)
Cinematography by: Isabelle Razavet
Edited by: Anne Riegel
Cameras: ARRI ALEXA Series Cameras
Scanner Operator
Jackie (2016)
Directed by: Pablo Larraín
Cinematography by: Stéphane Fontaine
Edited by: Sebastián Sepúlveda
Cameras: ARRIFLEX 416 Plus Camera
Digital Intermediate Supervisor
Lou! Journal infime (2014)
Directed by: Julien Neel
Cinematography by: Pierre Milon
Edited by: Yannick Kergoat
Cameras: ARRI ALEXA XT Camera
Digital Film Supervisor
Le dernier des injustes (2013)
Directed by: Claude Lanzmann
Edited by: Chantal Hymans
Cameras: Aaton Penelope Camera, Aaton Xterà Camera
Digital Film Supervisor
Tu honoreras ta mère et ta mère (2012)
Directed by: Brigitte Roüan
Cinematography by: Agnès Godard
Edited by: Laurent Rouan
Cameras: ARRI ALEXA Camera
Digital Film Supervisor
Foxfire: Confessions of a Girl Gang (2012)
Directed by: Laurent Cantet
Cinematography by: Pierre Milon
Cameras: ARRI ALEXA Camera
Digital Film Supervisor
Une nuit (2012)
Directed by: Philippe Lefebvre
Cinematography by: Jérôme Alméras
Edited by: Pascale Fenouillet
Cameras: ARRI ALEXA Camera
Scanning And Film Recording: Mikros Image
La femme du Vème (2011)
Directed by: Pawel Pawlikowski
Cinematography by: Ryszard Lenczewski
Edited by: David Charap
Digital Film Supervisor
La délicatesse (2011)
Cinematography by: Rémy Chevrin
Edited by: Virginie Bruant
Cameras: Aaton Penelope Camera
Digital Film Supervisor
De vrais mensonges (2010)
Directed by: Pierre Salvadori
Cinematography by: Gilles Henry
Edited by: Isabelle Devinck
Digital Intermediate Supervisor, On-set Coordinator: Mikros Image
Sound of Noise (2010)
Cinematography by: Charlotta Tengroth
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Digital Film Supervisor
Logorama (2009)
Digital Film Supervisor
Incognito (2009)
Directed by: Eric Lavaine
Cinematography by: Stéphane Cami
Edited by: Vincent Zuffranieri
Dcp Technical Supervisor
À l'origine (2009)
Directed by: Xavier Giannoli
Cinematography by: Glynn Speeckaert
Edited by: Célia Lafitedupont
Digital Film Supervisor
The Class (2008)
Directed by: Laurent Cantet
Cinematography by: Pierre Milon
Cameras: Panasonic Cameras
Digital Intermediate Supervisor
Et toi t'es sur qui? (2007)
Directed by: Lola Doillon
Cinematography by: Romain Lacourbas
Edited by: Enrica Gattolini
Digital Film Supervisor
Le renard et l'enfant (2007)
Directed by: Luc Jacquet
Edited by: Sabine Emiliani
Digital Film Supervisor
Priceless (2006)
Directed by: Pierre Salvadori
Cinematography by: Gilles Henry
Edited by: Isabelle Devinck
Digital Film Supervisor
Tell No One (2006)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Digital Film Supervisor
Les brigades du Tigre (2006)
Directed by: Jérôme Cornuau
Cinematography by: Stéphane Cami
Edited by: Brian Schmitt
Digital Film Supervisor / Digital Intermediate Supervisor
Les ambitieux (2006)
Directed by: Catherine Corsini
Edited by: Simon Jacquet
Digital Intermediate Supervisor
Odette Toulemonde (2006)
Directed by: Eric-Emmanuel Schmitt
Cinematography by: Carlo Varini
Edited by: Philippe Bourgueil
Shoot Supervisor: Scan Lab
Man on the Train (2002)
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
