Tony Scelsi

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The Holdovers | ShotOnWhat?

Additional Second Assistant Director

The Holdovers (2023)

Directed by: Alexander Payne

Cinematography by: Eigil Bryld

Edited by: Kevin Tent

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Additional Second Assistant Director: Boston

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Measure of a Man | ShotOnWhat?

Staff Production Assistant

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Ghostbusters | ShotOnWhat?

Staff Production Assistant

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Live by Night | ShotOnWhat?

Staff Production Assistant: Boston

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Bob and the Trees | ShotOnWhat?

Production Assistant

Bob and the Trees (2015)

Directed by: Diego Ongaro

Cinematography by: Chris Teague, Daniel Vecchione

Edited by: Benoit Sauvage

Cameras: Blackmagic Pocket Cinema Camera

Spotlight | ShotOnWhat?

Staff Production Assistant: Boston

Spotlight (2015)

Directed by: Tom McCarthy

Cinematography by: Masanobu Takayanagi

Edited by: Tom McArdle

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Joy | ShotOnWhat?

Production Assistant

Joy (2015)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Ted 2 | ShotOnWhat?

Production Assistant

Ted 2 (2015)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Judge | ShotOnWhat?

Staff Production Assistant

The Judge (2014)

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

American Hustle | ShotOnWhat?

Production Assistant

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Labor Day | ShotOnWhat?

Staff Location Assistant

Labor Day (2013)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

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