Art Production Assistant
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Production Assistant
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Art Production Assistant
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Assistant Art Department Coordinator - 12 Episodes, 2011
Homeland (2011)
Directed by: Lesli Linka Glatter, Michael Cuesta, Daniel Attias, Alex Graves, Keith Gordon, Tucker Gates, Clark Johnson, Seith Mann, Guy Ferland, Michael Offer, Michael Klick, Jeffrey Nachmanoff, Carl Franklin, Charlotte Sieling, Brad Turner, John Dahl, Lodge Kerrigan, Jeremy Podeswa, David Semel, Daniel Minahan, David Nutter, Jeffrey Reiner, John David Coles, Nelson McCormick
Edited by: Jordan Goldman, Philip Carr Neel, Harvey Rosenstock, Joe Hobeck, Terry Kelley, Michael Ruscio, Sarah Zeitlin, Garret Donnelly, Victoria Grimsley, David Latham
Cameras: ARRI ALEXA Camera, Red Epic Camera
Assistant Art Department Coordinator
'Homeland' Marine One (2011)
Directed by: Michael Cuesta
Cinematography by: Nelson Cragg
Assistant Art Department Coordinator
'Homeland' The Vest (2011)
Directed by: Clark Johnson
Cinematography by: Nelson Cragg
Edited by: Joe Hobeck
Assistant Art Department Coordinator
'Homeland' Representative Brody (2011)
Directed by: Guy Ferland
Cinematography by: Nelson Cragg
Edited by: Jordan Goldman
Assistant Art Department Coordinator
'Homeland' Crossfire (2011)
Directed by: Jeffrey Nachmanoff
Cinematography by: Nelson Cragg
Edited by: Terry Kelley
Assistant Art Department Coordinator
'Homeland' The Weekend (2011)
Directed by: Michael Cuesta
Cinematography by: Nelson Cragg
Edited by: Jordan Goldman
Assistant Art Department Coordinator
'Homeland' Achilles Heel (2011)
Directed by: Tucker Gates
Cinematography by: Nelson Cragg
Edited by: Joe Hobeck
Assistant Art Department Coordinator
'Homeland' The Good Soldier (2011)
Directed by: Brad Turner
Cinematography by: Nelson Cragg
Edited by: Terry Kelley
Assistant Art Department Coordinator
'Homeland' Blind Spot (2011)
Directed by: Clark Johnson
Cinematography by: Nelson Cragg
Edited by: Joe Hobeck
Assistant Art Department Coordinator
'Homeland' Clean Skin (2011)
Directed by: Daniel Attias
Cinematography by: Nelson Cragg
Edited by: Terry Kelley
Assistant Art Department Coordinator
'Homeland' Semper I (2011)
Directed by: Jeffrey Nachmanoff
Cinematography by: Nelson Cragg
Edited by: Jordan Goldman
Assistant Art Department Coordinator
'Homeland' Grace (2011)
Directed by: Michael Cuesta
Cinematography by: Nelson Cragg
Edited by: Joe Hobeck
