Alex Brown

12 Titles

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Mrs. Harris Goes to Paris | ShotOnWhat?

Rigging Gaffer

Mrs. Harris Goes to Paris (2022)

Directed by: Anthony Fabian

Cinematography by: Felix Wiedemann

Edited by: Barney Pilling

Cameras: ARRI ALEXA LF Camera

Landscapers | ShotOnWhat?

Rigging Gaffer - 4 Episodes, 2021

Landscapers (2021)

Directed by: Will Sharpe

Cinematography by: Erik Wilson

Edited by: Elen Pierce Lewis

Murder on the Orient Express | ShotOnWhat?

Best Boy Lighting

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

The BFG | ShotOnWhat?

Lighting Technician Uk

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Trance | ShotOnWhat?

Lighting Technician

Trance (2013)

Directed by: Danny Boyle

Cinematography by: Anthony Dod Mantle

Edited by: Jon Harris

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera

Lenses: ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Captain Phillips | ShotOnWhat?

Lighting Technician

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

The Dark Knight Rises | ShotOnWhat?

Lighting Technician

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Now Is Good | ShotOnWhat?

Lighting Technician

Now Is Good (2012)

Directed by: Ol Parker

Cinematography by: Erik Wilson

Edited by: Peter Lambert

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Quartet | ShotOnWhat?

Lighting Technician

Quartet (2012)

Directed by: Dustin Hoffman

Cinematography by: John de Borman

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Oranges and Sunshine | ShotOnWhat?

Best Boy: UK

Oranges and Sunshine (2010)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Editing System: Avid Editing System

Right Hand Drive | ShotOnWhat?

Best Boy

Right Hand Drive (2009)

Directed by: Mark Kalbskopf

Cinematography by: Nicholas Wise

Edited by: Peter Hollywood

The Living and the Dead | ShotOnWhat?

Sparks

The Living and the Dead (2006)

Directed by: Simon Rumley

Cinematography by: Milton Kam

Edited by: Benjamin Putland

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