Kwame Parker

18 Titles

Is this you? Add a Profile

Green Book | ShotOnWhat?

Executive Producer

Green Book (2018)

Directed by: Peter Farrelly

Cinematography by: Sean Porter

Edited by: Patrick J. Don Vito

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Ghost in the Shell | ShotOnWhat?

Production Manager: Hong Kong

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

22 Jump Street | ShotOnWhat?

2nd Unit Production Supervisor

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

After Earth | ShotOnWhat?

Associate Producer, Production Supervisor

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Knight and Day | ShotOnWhat?

Production Supervisor

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Edge of Darkness | ShotOnWhat?

Co-producer, Production Supervisor

Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

State of Play | ShotOnWhat?

Associate Producer, Production Supervisor

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Disturbia | ShotOnWhat?

Associate Producer

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Kite Runner | ShotOnWhat?

Associate Producer

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Stealth | ShotOnWhat?

Associate Producer, Production Supervisor

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 2 | ShotOnWhat?

Assistant Producer

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 1 | ShotOnWhat?

Assistant Producer

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Red Sneakers | ShotOnWhat?

Assistant Production Coordinator

The Red Sneakers (2002)

Television Movie

Directed by: Gregory Hines

Cinematography by: John Berrie

Edited by: B.J. Sears

Finding Forrester | ShotOnWhat?

Assistant Production Coordinator: Toronto

Finding Forrester (2000)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Valdís Óskarsdóttir

Double Team | ShotOnWhat?

Assistant Coordinator

Double Team (1997)

Directed by: Hark Tsui

Cinematography by: Peter Pau

Edited by: Bill Pankow

Cameras: ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Lenses

It Takes Two | ShotOnWhat?

Key Office Assistant

It Takes Two (1995)

Directed by: Andy Tennant

Cinematography by: Kenneth Zunder

Edited by: Roger Bondelli

Moonlight and Valentino | ShotOnWhat?

Key Production Assistant

Moonlight and Valentino (1995)

Directed by: David Anspaugh

Cinematography by: Julio Macat

Edited by: David Rosenbloom

In the Mouth of Madness | ShotOnWhat?

Production Assistant

In the Mouth of Madness (1994)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

©2012 - 2024 ShotOnWhat?

20254.20