Digital Compositor
You Were Never Really Here (2017)
Directed by: Lynne Ramsay
Cinematography by: Thomas Townend
Edited by: Joe Bini
Cameras: ARRI ALEXA XT Series Cameras
Compositor: Encore, On-line Editor
'Luther' Episode #4.1 (2015)
Directed by: Sam Miller
Cinematography by: John Conroy
Edited by: Elen Pierce Lewis
Compositor: Encore, On-line Editor
'Luther' Episode #4.2 (2015)
Directed by: Sam Miller
Cinematography by: John Conroy
Edited by: Elen Pierce Lewis
On-line Editor
'Luther' Episode #3.2 (2013)
Directed by: Sam Miller
Cinematography by: John Conroy
Edited by: Katie Weiland
On-line Editor
'Luther' Episode #3.1 (2013)
Directed by: Sam Miller
Cinematography by: John Conroy
Edited by: Katie Weiland
On-line Editor
'Luther' Episode #3.3 (2013)
Directed by: Farren Blackburn
Cinematography by: Stephan Pehrsson
Edited by: Sam Williams
On-line Editor
'Luther' Episode #3.4 (2013)
Directed by: Farren Blackburn
Cinematography by: Stephan Pehrsson
Edited by: Sam Williams
Technical Operator
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Compositor: Encore - 2 Episodes, 2015, On-line Editor - 6 Episodes, 2013-2015
Luther (2010)
Cinematography by: Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson
Edited by: Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner
Cameras: ARRIFLEX D-21 Camera
Editing System: Avid Editing System
Technical Operator
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Technical Operator
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Technical Operator
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Technical Operator
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Technical Operator
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Technical Operator: Company 3
The Hurt Locker (2008)
Directed by: Kathryn Bigelow
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
