Michael J. Lloyd

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Orchestrator

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

21 Bridges | ShotOnWhat?

Orchestrator

21 Bridges (2019)

Directed by: Brian Kirk

Cinematography by: Paul Cameron

Edited by: Tim Murrell

Cameras: ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

Baywatch | ShotOnWhat?

Orchestrator

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Sausage Party | ShotOnWhat?

Orchestrator

Sausage Party (2016)

Directed by: Greg Tiernan, Conrad Vernon

Edited by: Kevin Pavlovic

Ride Along 2 | ShotOnWhat?

Orchestrator

Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Boss | ShotOnWhat?

Orchestrator

The Boss (2016)

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leitz Summilux-C Series Lenses

Horrible Bosses 2 | ShotOnWhat?

Orchestrator

Horrible Bosses 2 (2014)

Directed by: Sean Anders

Cinematography by: Julio Macat

Edited by: Eric Kissack

Cameras: ARRI ALEXA XT Camera

Lenses: Leitz Summilux-C Series Lenses

Identity Thief | ShotOnWhat?

Music Librarian / Music Preparation

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Madea's Witness Protection | ShotOnWhat?

Music Preparation

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

Madea's Big Happy Family | ShotOnWhat?

Music Preparation

Madea's Big Happy Family (2011)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Horrible Bosses | ShotOnWhat?

Music Preparation

Horrible Bosses (2011)

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Hop | ShotOnWhat?

Music Preparation

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

For Colored Girls | ShotOnWhat?

Music Preparation

For Colored Girls (2010)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Why Did I Get Married Too? | ShotOnWhat?

Music Preparation

Why Did I Get Married Too? (2010)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Marmaduke | ShotOnWhat?

Music Preparation

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Sex and the City 2 | ShotOnWhat?

Music Preparation

Sex and the City 2 (2010)

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Last Song | ShotOnWhat?

Music Preparation

The Last Song (2010)

Directed by: Julie Anne Robinson

Cinematography by: John Lindley

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 Camera

Invictus | ShotOnWhat?

Additional Orchestrator

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

My Sister's Keeper | ShotOnWhat?

Music Preparation

My Sister's Keeper (2009)

Directed by: Nick Cassavetes

Cinematography by: Caleb Deschanel

Edited by: Jim Flynn, Alan Heim

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Sex and the City | ShotOnWhat?

Music Preparation

Sex and the City (2008)

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Thomas Kinkade's Christmas Cottage | ShotOnWhat?

Music Preparation

Thomas Kinkade's Christmas Cottage (2008)

Directed by: Michael Campus

Cinematography by: Robert Brinkmann

Edited by: Don Brochu

Flash of Genius | ShotOnWhat?

Music Preparation

Flash of Genius (2008)

Directed by: Marc Abraham

Cinematography by: Dante Spinotti

Edited by: Jill Savitt

Miracle at St. Anna | ShotOnWhat?

Scoring Crew

Miracle at St. Anna (2008)

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Mr. Magorium's Wonder Emporium | ShotOnWhat?

Music Preparation

Mr. Magorium's Wonder Emporium (2007)

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Captain Abu Raed | ShotOnWhat?

Music Preparation

Captain Abu Raed (2007)

Directed by: Amin Matalqa

Cinematography by: Reinhart 'Rayteam' Peschke

Edited by: Laith Majali

Cameras: ARRIFLEX D-20 Camera

Editing System: Adobe Premiere Editing System, Avid Editing System

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