Visual Effects Supervisor
'Helstrom' Mother's Little Helpers (2020)
Directed by: Daina Reid
Cinematography by: Bernard Couture
Edited by: Hunter M. Via
Visual Effects Supervisor
'Helstrom' Hell Storm (2020)
Directed by: Jim O'Hanlon
Cinematography by: Bernard Couture
Visual Effects Supervisor
'Helstrom' Vessels (2020)
Directed by: Kevin Tancharoen
Cinematography by: Christopher Charles Kempinski
Edited by: Brian G. Addie
Visual Effects Supervisor
'Helstrom' Underneath (2020)
Directed by: Cherie Nowlan
Cinematography by: Bernard Couture
Edited by: Kelly Stuyvesant
Visual Effects Supervisor
'Helstrom' Scars (2020)
Directed by: Bill Roe
Cinematography by: Christopher Charles Kempinski
Edited by: Hunter M. Via
Visual Effects Supervisor
'Helstrom' Leviathan (2020)
Directed by: Sanford Bookstaver
Cinematography by: Bernard Couture
Edited by: Brian G. Addie
Visual Effects Supervisor
'Helstrom' Committed (2020)
Directed by: Jovanka Vuckovic
Cinematography by: Christopher Charles Kempinski
Edited by: Kelly Stuyvesant
Visual Effects Supervisor
'Helstrom' Containment (2020)
Directed by: Amanda Row
Cinematography by: Bernard Couture
Visual Effects Supervisor
'Helstrom' The One Who Got Away (2020)
Directed by: Michael Offer
Cinematography by: Bernard Couture
Edited by: Brian G. Addie
Visual Effects Supervisor
'Helstrom' Viaticum (2020)
Directed by: Anders Engström
Cinematography by: Bernard Couture
Edited by: Kelly Stuyvesant
Compositing TD / 2D Technical Support
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
2d Technical Support
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Stereoscopic Compositor
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Stereoscopic Compositor
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Lead Stereo Compositor / Stereoscopic Compositor
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Stereoscopic Conversion Compositor
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Stereo Compositor
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Stereo Compositor
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Painter / Stereo Compositor
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
