Raphael Mosley

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The Expendables 3 | ShotOnWhat?

Compositor: Mirada

The Expendables 3 (2014)

Directed by: Patrick Hughes

Cinematography by: Peter Menzies Jr.

Edited by: Sean Albertson, Paul Harb

Cameras: Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera

Knight and Day | ShotOnWhat?

Digital Compositor

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Red Cliff | ShotOnWhat?

Inferno Artist

Red Cliff (2008)

Directed by: John Woo

Cinematography by: Yue Lü, Li Zhang

Edited by: Robert A. Ferretti, Angie Lam, Hongyu Yang

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Inferno Artist: Hydraulx

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

Aliens vs. Predator: Requiem | ShotOnWhat?

Flame Compositor: Hydraulx

Aliens vs. Predator: Requiem (2007)

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

Shooter | ShotOnWhat?

Digital Compositor: Hydraulx

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

300 | ShotOnWhat?

Flame Artist: Hydraulx

300 (2006)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Final Cut Pro Editing System

Transporter 2 | ShotOnWhat?

Flame Artist

Transporter 2 (2005)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen

Edited by: Christine Lucas Navarro, Vincent Tabaillon

Just Like Heaven | ShotOnWhat?

Flame Artist

Just Like Heaven (2005)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Moulin Rouge! | ShotOnWhat?

Inferno Assistant: Asylum

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Antitrust | ShotOnWhat?

Inferno Assistant: Asylum Visual Effects

Antitrust (2001)

Directed by: Peter Howitt

Cinematography by: John Bailey

Edited by: Zach Staenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Pearl Harbor | ShotOnWhat?

Inferno Assistant: Asylum Visual Effects

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

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