Erin McGookin

12 Titles

Is this you? Add a Profile

The Salvation | ShotOnWhat?

Company 3 Producer

The Salvation (2014)

Directed by: Kristian Levring

Cinematography by: Jens Schlosser

Edited by: Pernille Bech Christensen

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Wolf Creek 2 | ShotOnWhat?

Post-production Supervisor

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

Green Zone | ShotOnWhat?

Digital Intermediate Producer

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Don't Be Afraid of the Dark | ShotOnWhat?

Digital Intermediate Producer

Don't Be Afraid of the Dark (2010)

Directed by: Troy Nixey

Cinematography by: Oliver Stapleton

Edited by: Jill Bilcock

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Boy | ShotOnWhat?

Producer: Park Road Post Production

Boy (2010)

Directed by: Taika Waititi

Cinematography by: Adam Clark

Edited by: Chris Plummer

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Telstar: The Joe Meek Story | ShotOnWhat?

Digital Intermediate Producer

Telstar: The Joe Meek Story (2008)

Directed by: Nick Moran

Cinematography by: Peter Wignall

Edited by: Alex Marsh

The Escapist | ShotOnWhat?

Digital Intermediate Producer

The Escapist (2008)

Directed by: Rupert Wyatt

Cinematography by: Philipp Blaubach

Edited by: Joe Walker

The Crimson Wing: Mystery of the Flamingos | ShotOnWhat?

Digital Intermediate Producer

The Crimson Wing: Mystery of the Flamingos (2008)

Directed by: Matthew Aeberhard, Leander Ward

Cinematography by: Matthew Aeberhard

Edited by: Nicolas Chaudeurge

RocknRolla | ShotOnWhat?

Digital Intermediate Producer

RocknRolla (2008)

Directed by: Guy Ritchie

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: ARRIFLEX D-20 Camera

Quantum of Solace | ShotOnWhat?

Digital Intermediate Producer

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Fred Claus | ShotOnWhat?

Digital Intermediate Producer

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Sweeney Todd: The Demon Barber of Fleet Street | ShotOnWhat?

Digital Intermediate Producer

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

©2012 - 2024 ShotOnWhat?

20254.20