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Benjamin Hayden

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Set Decorator

'Leverage' The Long Way Down Job  (2011)

| USA
Directed by: Dean Devlin
Cinematography by: Alan Caso
Edited by: Sonny Baskin

Leadman, Set Decorator

'Leverage' The Carnival Job  (2011)

Directed by: Frank Oz
Cinematography by: David Connell
Edited by: David Siegel

Art Director: Portland

The Burning Plain  (2008)

| USA, Argentina
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood

Draftsman

Feast of Love  (2007)

| USA
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein

Lead Man

'The X-Files' Chinga  (1998)

| USA
Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Lead Man

'The X-Files' Bad Blood  (1998)

| USA
Directed by: Cliff Bole
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Lead Man

'The X-Files' Detour  (1997)

| USA
Directed by: Brett Dowler
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Leadman

'The X-Files' Kaddish  (1997)

| USA
Directed by: Kim Manners
Cinematography by: Jon Joffin
Edited by: Michael Stern

Lead Man

'The X-Files' Elegy  (1997)

| USA
Directed by: Jim Charleston
Cinematography by: Joel Ransom
Edited by: Jim Gross

Leadman

'The X-Files' Unrequited  (1997)

| USA
Directed by: Michael Lange
Cinematography by: Joel Ransom
Edited by: Jim Gross

Lead Man

'The X-Files' Gethsemane  (1997)

| USA
Directed by: R.W. Goodwin
Cinematography by: Joel Ransom
Edited by: Michael Stern

Leadman

'The X-Files' Max  (1997)

| USA
Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Michael Stern

Leadman

'The X-Files' Terma  (1996)

| USA
Directed by: Rob Bowman
Cinematography by: Jon Joffin
Edited by: Jim Gross

Leadman

'The X-Files' Teliko  (1996)

| USA
Directed by: Jim Charleston
Cinematography by: Jon Joffin
Edited by: Jim Gross

Set Dresser

Love at Large  (1990)

| USA
Directed by: Alan Rudolph
Cinematography by: Elliot Davis

Swing Gang

Drugstore Cowboy  (1989)

| USA
Directed by: Gus Van Sant
Cinematography by: Robert D. Yeoman