Prakash Bhoir

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Maleficent | ShotOnWhat?

Senior Compositor

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Sin City: A Dame to Kill For | ShotOnWhat?

Senior Compositor

Sin City: A Dame to Kill For (2014)

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

Sr. Compositor

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Oblivion | ShotOnWhat?

Senior Compositor

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

G.I. Joe: Retaliation | ShotOnWhat?

Senior Compositor

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dead Man Down | ShotOnWhat?

Senior Compositor

Dead Man Down (2013)

Directed by: Niels Arden Oplev

Cinematography by: Paul Cameron

Edited by: Timothy A. Good, Frédéric Thoraval

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

Rock of Ages | ShotOnWhat?

Senior Compositor

Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Expendables 2 | ShotOnWhat?

Digital Compositor

The Expendables 2 (2012)

Directed by: Simon West

Cinematography by: Shelly Johnson

Edited by: Todd E. Miller

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Ra.One | ShotOnWhat?

Team Lead

Ra.One (2011)

Directed by: Anubhav Sinha

Cinematography by: V. Manikanandan, Nicola Pecorini

Edited by: Sanjay Sharma, Martin Walsh

My Name Is Khan | ShotOnWhat?

Team Lead

My Name Is Khan (2010)

Directed by: Karan Johar

Cinematography by: Ravi K. Chandran

Edited by: Deepa Bhatia

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Kismat Konnection | ShotOnWhat?

Digital Compositor

Kismat Konnection (2008)

Directed by: Aziz Mirza

Cinematography by: Binod Pradhan

Edited by: Amitabh Shukla

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