Dirk Q. Long

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Terminator Genisys | ShotOnWhat?

Head Caterer

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Focus | ShotOnWhat?

Head Caterer

Focus (2015)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

Dawn of the Planet of the Apes | ShotOnWhat?

Head Caterer

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Get on Up | ShotOnWhat?

Head Caterer

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Ender's Game | ShotOnWhat?

Head Caterer

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

The Help | ShotOnWhat?

Chef

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Appaloosa | ShotOnWhat?

Head Chef

Appaloosa (2008)

Directed by: Ed Harris

Cinematography by: Dean Semler

Edited by: Kathryn Himoff

The Girl Next Door | ShotOnWhat?

Caterer

The Girl Next Door (2004)

Directed by: Luke Greenfield

Cinematography by: Jamie Anderson

Edited by: Mark Livolsi

High Crimes | ShotOnWhat?

Head Chef

High Crimes (2002)

Directed by: Carl Franklin

Cinematography by: Theo van de Sande

Edited by: Carole Kravetz Aykanian

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Meet the Parents | ShotOnWhat?

Caterer

Meet the Parents (2000)

Directed by: Jay Roach

Cinematography by: Peter James

Edited by: Greg Hayden, Jon Poll

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fools Rush In | ShotOnWhat?

Caterer

Fools Rush In (1997)

Directed by: Andy Tennant

Cinematography by: Robbie Greenberg

Edited by: Roger Bondelli

Wag the Dog | ShotOnWhat?

Caterer

Wag the Dog (1997)

Directed by: Barry Levinson

Cinematography by: Robert Richardson

Edited by: Stu Linder

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Spanish Prisoner | ShotOnWhat?

Caterer: Tomkats

The Spanish Prisoner (1997)

Directed by: David Mamet

Cinematography by: Gabriel Beristain

Edited by: Barbara Tulliver

Trial and Error | ShotOnWhat?

Chef

Trial and Error (1997)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

Mrs. Doubtfire | ShotOnWhat?

Caterer

Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

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