Kirk W. Johnson

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Production Supervisor

Geostorm (2017)

Motion Picture

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Production Coordinator

Keanu (2016)

Motion Picture

Directed by: Peter Atencio

Cinematography by: Jas Shelton

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Production Coordinator

Get Hard (2015)

Motion Picture

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Production Office Coordinator

Trumbo (2015)

Motion Picture

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Production Coordinator

Focus (2015)

Motion Picture

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

Assistant Production Office Coordinator

Broken City (2013)

Motion Picture

Directed by: Allen Hughes

Cinematography by: Ben Seresin

Edited by: Cindy Mollo

Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Production Coordinator

The Last Exorcism Part II (2013)

Motion Picture

Directed by: Ed Gass-Donnelly

Cinematography by: Brendan Steacy

Edited by: Ed Gass-Donnelly

Cameras: ARRI ALEXA Camera

Assistant Production Office Coordinator

2 Guns (2013)

Motion Picture

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Assistant Production Office Coordinator

Looper (2012)

Motion Picture

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Assistant Production Office Coordinator / Production Coordinator

Bullet to the Head (2012)

Motion Picture

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Timothy Alverson

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Production Secretary

Seeking Justice (2011)

Motion Picture

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Production Secretary

Texas Killing Fields (2011)

Motion Picture

Directed by: Ami Canaan Mann

Cinematography by: Stuart Dryburgh

Edited by: Cindy Mollo

Cameras: Panavision Genesis Camera

Assistant Production Office Coordinator

The Change-Up (2011)

Motion Picture

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Office Production Assistant

Jonah Hex (2010)

Motion Picture

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Production Assistant / Set Production Assistant: Additional Photography

12 Rounds (2009)

Motion Picture

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bad Lieutenant: Port of Call New Orleans | ShotOnWhat?

Production Assistant

Bad Lieutenant: Port of Call New Orleans (2009)

Motion Picture

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

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Kirk W. Johnson

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Production Supervisor

Geostorm (2017)

Production Coordinator

Keanu (2016)

Production Coordinator

Get Hard (2015)

Production Office Coordinator

Trumbo (2015)

Production Coordinator

Focus (2015)

Assistant Production Office Coordinator

Broken City (2013)

Production Coordinator

The Last Exorcism Part II (2013)

Assistant Production Office Coordinator

2 Guns (2013)

Assistant Production Office Coordinator

Looper (2012)

Assistant Production Office Coordinator / Production Coordinator

Bullet to the Head (2012)

Production Secretary

Seeking Justice (2011)

Production Secretary

Texas Killing Fields (2011)

Assistant Production Office Coordinator

The Change-Up (2011)

Office Production Assistant

Jonah Hex (2010)

Production Assistant / Set Production Assistant: Additional Photography

12 Rounds (2009)

Production Assistant

Bad Lieutenant: Port of Call New Orleans (2009)

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