Anne Wermelinger

14 Titles

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Maintenant ou jamais | ShotOnWhat?

Script Supervisor

Maintenant ou jamais (2014)

Directed by: Serge Frydman

Cinematography by: Pierre-Hugues Galien

Edited by: Céline Kélépikis

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Lou! Journal infime | ShotOnWhat?

Script Supervisor

Lou! Journal infime (2014)

Directed by: Julien Neel

Cinematography by: Pierre Milon

Edited by: Yannick Kergoat

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Sur la piste du Marsupilami | ShotOnWhat?

Script Supervisor

Sur la piste du Marsupilami (2012)

Directed by: Alain Chabat

Cinematography by: Laurent Dailland

Edited by: Maryline Monthieux

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Midnight in Paris | ShotOnWhat?

Script Supervisor

Midnight in Paris (2011)

Directed by: Woody Allen

Cinematography by: Darius Khondji

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses

600 kilos d'or pur | ShotOnWhat?

Script Supervisor

600 kilos d'or pur (2010)

Directed by: Éric Besnard

Cinematography by: Jean-Marie Dreujou

Edited by: Christophe Pinel

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Micmacs à tire-larigot | ShotOnWhat?

Script Supervisor

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Script Supervisor

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

A Very Long Engagement | ShotOnWhat?

Script Supervisor

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Fanfan | ShotOnWhat?

Script Supervisor

Fanfan (2003)

Directed by: Gérard Krawczyk

Cinematography by: Gérard Simon

Edited by: Nicolas Trembasiewicz

The Mystery of the Yellow Room | ShotOnWhat?

Script Supervisor

The Mystery of the Yellow Room (2003)

Directed by: Bruno Podalydès

Cinematography by: Christophe Beaucarne

Edited by: Hervé de Luze

Le boulet | ShotOnWhat?

Script Supervisor

Le boulet (2002)

Directed by: Alain Berbérian, Frédéric Forestier

Cinematography by: Vincent Mathias, Christophe Paturange, Jean-Pierre Sauvaire, Manuel Teran

Edited by: Philippe Bourgueil

Amélie | ShotOnWhat?

Script Supervisor

Amélie (2001)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses: Zeiss Ultra Prime Lenses

The Proprietor | ShotOnWhat?

Script Assistant

The Proprietor (1996)

Directed by: Ismail Merchant

Cinematography by: Larry Pizer

Edited by: William Webb

Cameras: Panavision Cameras

The City of Lost Children | ShotOnWhat?

Script

The City of Lost Children (1995)

Directed by: Marc Caro, Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

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