Matilda Wainwright

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The Man from U.N.C.L.E. | ShotOnWhat?

Stand-by Art Director

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The Riot Club | ShotOnWhat?

Stand-by Art Director

The Riot Club (2014)

Directed by: Lone Scherfig

Cinematography by: Sebastian Blenkov

Edited by: Jake Roberts

The World's End | ShotOnWhat?

Standby Art Director

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

The Inbetweeners Movie | ShotOnWhat?

Stand-by Art Director

The Inbetweeners Movie (2011)

Directed by: Ben Palmer

Cinematography by: Ben Wheeler

Edited by: Charlie Fawcett, William Webb

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Attack the Block | ShotOnWhat?

Standby Art Director

Attack the Block (2011)

Directed by: Joe Cornish

Cinematography by: Thomas Townend

Edited by: Jonathan Amos

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Margaret | ShotOnWhat?

Stand-by Art Director

Margaret (2009)

Television Movie

Directed by: James Kent

Cinematography by: David Odd

Edited by: William Diver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Zeiss Ultra Prime Lenses

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