John W. Burke

14 Titles

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American Fiction | ShotOnWhat?

Set Dresser

American Fiction (2023)

Directed by: Cord Jefferson

Cinematography by: Cristina Dunlap

Edited by: Hilda Rasula

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Tribe7 Blackwing7 Lenses

Measure of a Man | ShotOnWhat?

Craft Service: Additional

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Live by Night | ShotOnWhat?

Craft Service Assistant

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Spotlight | ShotOnWhat?

Craft Services Assistant: Boston

Spotlight (2015)

Directed by: Tom McCarthy

Cinematography by: Masanobu Takayanagi

Edited by: Tom McArdle

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Sex Tape | ShotOnWhat?

Craft Services Assistant

Sex Tape (2014)

Directed by: Jake Kasdan

Cinematography by: Tim Suhrstedt

Edited by: Steve Edwards, Tara Timpone

Cameras: ARRI ALEXA XT Camera

The Equalizer | ShotOnWhat?

Craft Service: Additional Photography

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Infinitely Polar Bear | ShotOnWhat?

Crafty: Assistant

Infinitely Polar Bear (2014)

Directed by: Maya Forbes

Cinematography by: Bobby Bukowski

Edited by: Michael R. Miller

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Style Lenses

R.I.P.D. | ShotOnWhat?

Craft Service

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Labor Day | ShotOnWhat?

Craft Services Assistant

Labor Day (2013)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Ted | ShotOnWhat?

Additional Craft Service

Ted (2012)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Moonrise Kingdom | ShotOnWhat?

Craft Service: Additional

Moonrise Kingdom (2012)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Aaton A-Minima Camera, Aaton Xterà Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

That's My Boy | ShotOnWhat?

Craft Service

That's My Boy (2012)

Directed by: Sean Anders

Cinematography by: Brandon Trost

Edited by: Tom Costain

The Fighter | ShotOnWhat?

Craft Service Assistant

The Fighter (2010)

Directed by: David O. Russell

Cinematography by: Hoyte Van Hoytema

Edited by: Pamela Martin

Cameras: Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Bride Wars | ShotOnWhat?

Art Department Production Assistant: Construction Shop

Bride Wars (2009)

Directed by: Gary Winick

Cinematography by: Frederick Elmes

Edited by: Susan Littenberg

Cameras: ARRI Cameras

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