Rebecca Pick

14 Titles

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Rush | ShotOnWhat?

Legal Services: Lee & Thompson

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Under the Skin | ShotOnWhat?

Production Legal Services: Lee And Thompson

Under the Skin (2013)

Directed by: Jonathan Glazer

Cinematography by: Daniel Landin

Edited by: Paul Watts

Cameras: ARRI ALEXA Plus Camera, one-cam Camera

Lenses: Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

My Brother the Devil | ShotOnWhat?

Legal Services: Lee And THompsonr

My Brother the Devil (2012)

Directed by: Sally El Hosaini

Cinematography by: David Raedeker

Edited by: Iain Kitching

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

360 | ShotOnWhat?

Legal Services

360 (2011)

Directed by: Fernando Meirelles

Cinematography by: Adriano Goldman

Edited by: Daniel Rezende

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

We Need to Talk About Kevin | ShotOnWhat?

Legal Services: Lee & Thompson, Lipsync Productions

We Need to Talk About Kevin (2011)

Directed by: Lynne Ramsay

Cinematography by: Seamus McGarvey

Edited by: Joe Bini

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Deep Blue Sea | ShotOnWhat?

Legal Services: Lip Sync Productions, Lee & Thompson

The Deep Blue Sea (2011)

Directed by: Terence Davies

Cinematography by: Florian Hoffmeister

Edited by: David Charap

Chalet Girl | ShotOnWhat?

Production Lawyer

Chalet Girl (2011)

Directed by: Phil Traill

Cinematography by: Ed Wild

Edited by: Robin Sales

Coriolanus | ShotOnWhat?

Legal Services: LipSync, Lee & Thompson

Coriolanus (2011)

Directed by: Ralph Fiennes

Cinematography by: Barry Ackroyd

Edited by: Nicolas Gaster

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses

Perfect Sense | ShotOnWhat?

Legal Services: Sigma Films, Lee & Thompson

Perfect Sense (2011)

Directed by: David Mackenzie

Cinematography by: Giles Nuttgens

Edited by: Jake Roberts

Shame | ShotOnWhat?

Legal Services: U.K., Lee & Thompson

Shame (2011)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses

Chatroom | ShotOnWhat?

Production Legal Services: Lee & Thompson

Chatroom (2010)

Directed by: Hideo Nakata

Cinematography by: Benoît Delhomme

Edited by: Masahiro Hirakubo

The Arbor | ShotOnWhat?

Legal Services: Lee & Thompson

The Arbor (2010)

Directed by: Clio Barnard

Cinematography by: Ole Bratt Birkeland

Edited by: Nick Fenton, Daniel Goddard

Tamara Drewe | ShotOnWhat?

Legal Services: Lee & Thompson

Tamara Drewe (2010)

Directed by: Stephen Frears

Cinematography by: Ben Davis

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Four Lions | ShotOnWhat?

Legal Services: Lee & Thompson

Four Lions (2010)

Directed by: Christopher Morris

Cinematography by: Lol Crawley

Edited by: Billy Sneddon

Cameras: Sony HDW-F900 Camera

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