Hannah Hoover

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Safe Haven | ShotOnWhat?

Set Production Assistant

Safe Haven (2013)

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Andrew Mondshein

Cameras: ARRI ALEXA Studio Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Captain Phillips | ShotOnWhat?

Set Production Assistant: Virginia

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Lincoln | ShotOnWhat?

Set Dec Assistant

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Salt | ShotOnWhat?

Set Production Assistant

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

How Do You Know | ShotOnWhat?

Set Production Assistant

How Do You Know (2010)

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

State of Play | ShotOnWhat?

Production Assistant

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

In the Loop | ShotOnWhat?

Production Assistant: USA

In the Loop (2009)

Directed by: Armando Iannucci

Cinematography by: Jamie Cairney

Edited by: Anthony Boys, Billy Sneddon

Cameras: Sony HDW-F900 Camera

Lenses: Zeiss DigiPrime Lenses

Burn After Reading | ShotOnWhat?

Production Assistant

Burn After Reading (2008)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Emmanuel Lubezki

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

"The Wire" Late Editions | ShotOnWhat?

Production Assistant

'The Wire' Late Editions (2008)

Television Episode

Directed by: Joe Chappelle

Cinematography by: Dave Insley

Edited by: Alex Hall

"The Wire" -30- | ShotOnWhat?

Production Assistant

'The Wire' -30- (2008)

Television Episode

Directed by: Clark Johnson

Cinematography by: Dave Insley

Edited by: Kate Sanford

The Wire | ShotOnWhat?

Production Assistant - 2 Episodes, 2008

The Wire (2002)

Television Series

Cinematography by: Uta Briesewitz, Russell Lee Fine, Dave Insley, Eagle Egilsson

Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lenses

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