Susan Towner

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The Batman | ShotOnWhat?

Unit Production Manager: Chicago

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Tenet | ShotOnWhat?

Unit Production Manager

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Solo: A Star Wars Story | ShotOnWhat?

Co-producer, Unit Production Manager

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Co-producer, Unit Production Manager

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Star Wars: The Force Awakens | ShotOnWhat?

Co-producer, Unit Production Manager

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

The Dark Knight Rises | ShotOnWhat?

Unit Production Manager

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Clash of the Titans | ShotOnWhat?

Unit Production Manager

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Dark Knight | ShotOnWhat?

Unit Production Manager

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Blood Diamond | ShotOnWhat?

Unit Production Manager

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Paycheck | ShotOnWhat?

Production Manager

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Timeline | ShotOnWhat?

Production Supervisor

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Vanilla Sky | ShotOnWhat?

Production Supervisor

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible II | ShotOnWhat?

Production Supervisor

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Snake Eyes | ShotOnWhat?

Production Auditor

Snake Eyes (1998)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Bill Pankow

Cameras: Moviecam Compact Camera, Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

Editing System: Avid Editing System

Twilight | ShotOnWhat?

Production Auditor

Twilight (1998)

Directed by: Robert Benton

Cinematography by: Piotr Sobocinski

Edited by: Carol Littleton

Cameras: Panavision Cameras

Clear and Present Danger | ShotOnWhat?

Production Accountant

Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Addams Family Values | ShotOnWhat?

Production Accountant

Addams Family Values (1993)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Arthur Schmidt

Whispers in the Dark | ShotOnWhat?

Production Auditor

Whispers in the Dark (1992)

Directed by: Christopher Crowe

Cinematography by: Michael Chapman

Edited by: Ray Hubley, Bill Pankow

Leap of Faith | ShotOnWhat?

Production Auditor

Leap of Faith (1992)

Directed by: Richard Pearce

Cinematography by: Matthew F. Leonetti

Edited by: John F. Burnett, Mark Warner, Don Zimmerman

The Butcher's Wife | ShotOnWhat?

Production Accountant

The Butcher's Wife (1991)

Directed by: Terry Hughes

Cinematography by: Frank Tidy

Edited by: Donn Cambern

Frankie and Johnny | ShotOnWhat?

Production Auditor

Frankie and Johnny (1991)

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Jacqueline Cambas, Battle Davis

Cameras: Panavision Cameras

Another 48 Hrs. | ShotOnWhat?

Production Auditor

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

Flashback | ShotOnWhat?

Production Accountant

Flashback (1990)

Directed by: Franco Amurri

Cinematography by: Stefan Czapsky

Edited by: Carroll Timothy O'Meara

Pet Sematary | ShotOnWhat?

Production Accountant

Pet Sematary (1989)

Directed by: Mary Lambert

Cinematography by: Peter Stein

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Cameras

Scrooged | ShotOnWhat?

Assistant Production Auditor

Scrooged (1988)

Directed by: Richard Donner

Cinematography by: Michael Chapman

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Panaflex Gold Camera

Fatal Attraction | ShotOnWhat?

Assistant Production Auditor

Fatal Attraction (1987)

Directed by: Adrian Lyne

Cinematography by: Howard Atherton

Edited by: Peter E. Berger, Michael Kahn

The Whoopee Boys | ShotOnWhat?

Assistant Accountant

The Whoopee Boys (1986)

Directed by: John Byrum

Cinematography by: Ralf D. Bode

Edited by: Eric Jenkins

Clue | ShotOnWhat?

Assistant Auditor

Clue (1985)

Directed by: Jonathan Lynn

Cinematography by: Victor J. Kemper

Edited by: David Bretherton, Richard Haines

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