Makeup Artist
License to Wed (2007)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Key Makeup Artist
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Makeup Artist
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Makeup Department Head: Second Unit
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Key Makeup Artist
Ghosts of Mars (2001)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Makeup Artist
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Key Makeup Artist
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Key Makeup Artist: Second Unit
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Makeup Artist
Shout (1991)
Directed by: Jeffrey Hornaday
Cinematography by: Robert Brinkmann
Edited by: Seth Flaum
Makeup Artist
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Makeup Artist
The Karate Kid Part II (1986)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Makeup Artist
J.O.E. and the Colonel (1985)
Directed by: Ron Satlof
Cinematography by: William Cronjager
Makeup Artist
Young Doctors in Love (1982)
Directed by: Garry Marshall
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
