Assistant Colorist: Digimage
À coup sûr (2014)
Directed by: Delphine de Vigan
Cinematography by: Antoine Monod
Edited by: Reynald Bertrand
Cameras: ARRI ALEXA Camera
Assistant Colorist: Digimage
Maestro (2014)
Directed by: Léa Fazer
Cinematography by: Lucas Leconte
Edited by: Jean-François Elie
Cameras: ARRI ALEXA Camera
Assistant Colorist: Digimage
Des gens qui s'embrassent (2013)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: ARRI ALEXA Plus Camera
Assistant Colorist: Digimage
Age of Uprising: The Legend of Michael Kohlhaas (2013)
Directed by: Arnaud des Pallières
Cinematography by: Jeanne Lapoirie
Lenses: Angenieux HR 25-250 mm T3.5 Lens
Assistant Colorist: Digimage
Un château en Italie (2013)
Directed by: Valeria Bruni Tedeschi
Cinematography by: Jeanne Lapoirie
Edited by: Anne Weil
Cameras: ARRI ALEXA Plus Camera
Assistant Colorist: Digimage
Grigris (2013)
Directed by: Mahamat-Saleh Haroun
Cinematography by: Antoine Héberlé
Edited by: Marie-Hélène Dozo
Cameras: ARRI ALEXA Camera
Assistant Colorist: Digimage
Do Not Disturb (2012)
Directed by: Yvan Attal
Cinematography by: Thomas Hardmeier
Edited by: Jennifer Augé
Cameras: ARRI ALEXA Camera
Assistant Colorist: Digimage
Rue Mandar (2012)
Directed by: Idit Cebula
Cinematography by: Rémy Chevrin
Edited by: Célia Lafitedupont
Cameras: Red Epic Camera
Assistant Colorist: Digimage
The Stroller Strategy (2012)
Directed by: Clément Michel
Cinematography by: Steeven Petitteville
Edited by: Julie Dupré
Cameras: ARRI ALEXA Plus Camera
Lenses: Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
I/O Management: Mac Guff
Colombiana (2011)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Edited by: Camille Delamarre
I/O Management: Mac Guff
Elle s'appelait Sarah (2010)
Directed by: Gilles Paquet-Brenner
Cinematography by: Pascal Ridao
Edited by: Hervé Schneid
Cameras: Red One Camera
I/O Management: Mac Guff
A Prophet (2009)
Directed by: Jacques Audiard
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera
I/O Management: Mac Guff
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
