Second Second Assistant Director
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Unit Manager: Second Unit
For Greater Glory: The True Story of Cristiada (2012)
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
First Assistant Director: Second Unit, Mexico
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Second Second Assistant Director
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Unit Manager
KM 31: Kilómetro 31 (2006)
Directed by: Rigoberto Castañeda
Cinematography by: Alejandro Martínez
Edited by: Alberto de Toro
Third Assistant Director: Mexico
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Key Set Production Assistant
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Director
Conejo en la luna (2004)
Directed by: Jorge Ramírez Suárez
Cinematography by: Luis David Sansans
Edited by: Alex Rodríguez
Set Production Assistant
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Key Set Production Assistant
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Production Assistant
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Production Assistant
Y Tu Mamá También (2001)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Super Speed Lenses
Office Production Assistant
Herod's Law (1999)
Directed by: Luis Estrada
Cinematography by: Norman Christianson
Edited by: Luis Estrada
