Re-recording Mixer / Sound Editor
Last Days in Vietnam (2014)
Directed by: Rory Kennedy
Cinematography by: Joan Churchill
Edited by: Don Kleszy
Adr Mixer
Blue Caprice (2013)
Directed by: Alexandre Moors
Cinematography by: Brian O'Carroll
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
Girl in Progress (2012)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Dan Schalk
Cameras: Red One MX Camera
Lenses: Angenieux Optimo Zoom Lenses
Re-recording Mixer / Supervising Sound Editor
Divorce Invitation (2012)
Directed by: S.V. Krishna Reddy
Cinematography by: Brad Rushing
Cameras: ARRI ALEXA Camera
Adr Editor
Atlas Shrugged II: The Strike (2012)
Directed by: John Putch
Cinematography by: Ross Berryman
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Adr Mixer
The Man Who Collected Food (2010)
Directed by: Matthew Roth
Cinematography by: James Mann
Edited by: Paula Stein
Re-recording Mixer / Supervising Sound Editor
Under the Same Moon (2007)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Aleshka Ferrero
Re-recording Mixer / Supervising Sound Editor
Wristcutters: A Love Story (2006)
Directed by: Goran Dukic
Cinematography by: Vanja Cernjul
Edited by: Jonathan Alberts
Re-recording Mixer / Supervising Sound Editor
Duck (2005)
Directed by: Nicole Bettauer
Cinematography by: Anne Etheridge
Edited by: Marcus Taylor
Re-recording Mixer / Supervising Sound Editor
Dallas 362 (2003)
Directed by: Scott Caan
Cinematography by: Phil Parmet
Edited by: Andrea Bottigliero
Sound Effects Editor
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Supervising Sound Editor
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Sound Effects Editor: Guns
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Sound Effects Editor: Guns
Exit Wounds (2001)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Additional Sound Designer / Sound Effects Editor: Guns
Romeo Must Die (2000)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Sound Editor
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Sound Effects Editor
Runaway Bride (1999)
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Sound Editor
Smoke Signals (1998)
Directed by: Chris Eyre
Cinematography by: Brian Capener
Edited by: Brian Berdan
Sound Effects Editor
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Sound Editor
Scream 2 (1997)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Music Editor
City of Industry (1997)
Directed by: John Irvin
Cinematography by: Thomas Burstyn
Edited by: Mark Conte
Sound Editor
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Dialogue Editor - German Version - Director's Cut
Das Boot (1981)
Directed by: Wolfgang Petersen
Cinematography by: Jost Vacano
Edited by: Hannes Nikel
Cameras: ARRI Cameras
