Eduardo H. Esparza

15 Titles

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The Veil | ShotOnWhat?

Construction Coordinator

The Veil (2016)

Directed by: Phil Joanou

Cinematography by: Steeven Petitteville

Edited by: Paul Norling

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Editing System: Adobe Premiere Editing System, Avid Editing System

Star Trek Into Darkness | ShotOnWhat?

Labor Foreperson

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Towelhead | ShotOnWhat?

General Foreman

Towelhead (2007)

Directed by: Alan Ball

Cinematography by: Newton Thomas Sigel

Edited by: Andy Keir

An American Crime | ShotOnWhat?

Propmaker Gang Boss

An American Crime (2007)

Directed by: Tommy O'Haver

Cinematography by: Byron Shah

Edited by: Melissa Kent

Cameras: Moviecam Compact Camera

Lenses: Hawk C-Series Lenses

Torque | ShotOnWhat?

General Foreman

Torque (2004)

Directed by: Joseph Kahn

Cinematography by: Peter Levy

Edited by: David Blackburn, Howard E. Smith

Timeline | ShotOnWhat?

Propmaker: Los Angeles

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Rush Hour 2 | ShotOnWhat?

Locations Foreman

Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Family Man | ShotOnWhat?

Propmaker Gang Boss

The Family Man (2000)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Erin Brockovich | ShotOnWhat?

Laborer

Erin Brockovich (2000)

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Propmaker

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Boogie Nights | ShotOnWhat?

Carpenter

Boogie Nights (1997)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Con Air | ShotOnWhat?

Carpenter

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Posse | ShotOnWhat?

Carpenter

Posse (1993)

Directed by: Mario Van Peebles

Cinematography by: Peter Menzies Jr.

Edited by: Mark Conte, Seth Flaum

Raising Arizona | ShotOnWhat?

Carpenter

Raising Arizona (1987)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Barry Sonnenfeld

Edited by: Michael R. Miller

Near Dark | ShotOnWhat?

Set Construction

Near Dark (1987)

Directed by: Kathryn Bigelow

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

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