Marcos Sagasta

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Society of the Snow | ShotOnWhat?

Special Effects Crew: DDT SFX

Society of the Snow (2023)

Directed by: J.A. Bayona

Cinematography by: Pedro Luque

Edited by: Andrés Gil, Jaume Martí

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

On Ddt Sfx

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Digital Lenses

Julieta | ShotOnWhat?

Special Effects Technician

Julieta (2016)

Directed by: Pedro Almodóvar

Cinematography by: Jean-Claude Larrieu

Edited by: José Salcedo

A Monster Calls | ShotOnWhat?

Special Effects Crew On Ddtsfx

A Monster Calls (2016)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Jaume Martí, Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Gunman | ShotOnWhat?

Special Effects Crew: DDT SFX

The Gunman (2015)

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Out of the Dark | ShotOnWhat?

Special Effects Crew: DDT SFX

Out of the Dark (2014)

Directed by: Lluís Quílez

Cinematography by: Isaac Vila

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA Studio Camera

Lenses: Hawk C-Series Lenses, Hawk V-Plus Lenses, Kowa Cine Prominar Spherical Lenses

Mama | ShotOnWhat?

Prosthetic Crew: DDT SFX, Barcelona

Mama (2013)

Directed by: Andy Muschietti

Cinematography by: Antonio Riestra

Edited by: Michele Conroy

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Grand Piano | ShotOnWhat?

Special Effects Crew: DDT SFX

Grand Piano (2013)

Directed by: Eugenio Mira

Cinematography by: Unax Mendia

Edited by: José Luis Romeu, Rodrigo Cortés

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Impossible | ShotOnWhat?

Special Effects Technician: DDT Sfx

The Impossible (2012)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Elena Ruiz, Bernat Vilaplana

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Zeiss Master Prime Lenses

La piel que habito | ShotOnWhat?

Special Effects Technician: DDT Sfx

La piel que habito (2011)

Directed by: Pedro Almodóvar

Cinematography by: José Luis Alcaine

Edited by: José Salcedo

Cameras: ARRICAM Studio (ST) Camera, Panasonic AG-HVX200 Camera

Lenses: Zeiss Master Prime Lenses

Biutiful | ShotOnWhat?

Special Effects Technician: DDT Sfx

Biutiful (2010)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Broken Embraces | ShotOnWhat?

Special Effects Assistant: DDT Sfx

Broken Embraces (2009)

Directed by: Pedro Almodóvar

Cinematography by: Rodrigo Prieto

Edited by: José Salcedo, Roberto Serrano

Cameras: ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses

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