Clint Ingram

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San Andreas | ShotOnWhat?

Special Effects Assistant Supervisor

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Unbroken | ShotOnWhat?

Special Effects Assistant Supervisor

Unbroken (2014)

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Wolf Creek 2 | ShotOnWhat?

Special Effects Supervisor

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

Iron Sky | ShotOnWhat?

Special Effects Supervisor

Iron Sky (2012)

Directed by: Timo Vuorensola

Cinematography by: Mika Orasmaa

Edited by: Suresh Ayyar

Sinbad and the Minotaur | ShotOnWhat?

Special Effects Supervisor

Sinbad and the Minotaur (2011)

Television Movie

Directed by: Karl Zwicky

Cinematography by: Nino Gaetano Martinetti

Edited by: Brad Lindenmayer

In Her Skin | ShotOnWhat?

Special Effects Supervisor

In Her Skin (2009)

Directed by: Simone North

Cinematography by: Jules O'Loughlin

Edited by: Jane Moran

Cameras: ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses: Cooke S4 Lenses

Triangle | ShotOnWhat?

Special Effects Supervisor

Triangle (2009)

Directed by: Christopher Smith

Cinematography by: Robert Humphreys

Edited by: Stuart Gazzard

Cameras: Panavision Genesis Camera

Daybreakers | ShotOnWhat?

Special Effects Supervisor

Daybreakers (2009)

Directed by: Michael Spierig, Peter Spierig

Cinematography by: Ben Nott

Edited by: Matt Villa

Superman Returns | ShotOnWhat?

Senior Special Effects Technician: Miniatures Unit

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Salem's Lot | ShotOnWhat?

Special Effects Supervisor - 2 Episodes, 2004

Salem's Lot (2004)

Directed by: Mikael Salomon

Cinematography by: Ben Nott

Edited by: Robert A. Ferretti

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

"Salem's Lot" Episode #1.1 | ShotOnWhat?

Special Effects Supervisor

'Salem's Lot' Episode #1.1 (2004)

Television Episode

Directed by: Mikael Salomon

Cinematography by: Ben Nott

Edited by: Robert A. Ferretti

"Salem's Lot" Episode #1.2 | ShotOnWhat?

Special Effects Supervisor

'Salem's Lot' Episode #1.2 (2004)

Television Episode

Directed by: Mikael Salomon

Cinematography by: Ben Nott

Edited by: Robert A. Ferretti

Darkness Falls | ShotOnWhat?

Special Effects Technician

Darkness Falls (2003)

Directed by: Jonathan Liebesman

Cinematography by: Dan Laustsen

Edited by: Timothy Alverson, Steve Mirkovich

Paradise Found | ShotOnWhat?

Special Effects: Australia

Paradise Found (2003)

Directed by: Mario Andreacchio

Cinematography by: Geoffrey Simpson

Edited by: Edward McQueen-Mason

The Outsider | ShotOnWhat?

Special Effects Supervisor

The Outsider (2002)

Television Movie

Directed by: Randa Haines

Cinematography by: Ben Nott

Edited by: Lisa Bromwell

The Bank | ShotOnWhat?

Special Effects Supervisor

The Bank (2001)

Directed by: Robert Connolly

Cinematography by: Tristan Milani

Edited by: Nick Meyers

The Frighteners | ShotOnWhat?

Special Effects Assistant

The Frighteners (1996)

Directed by: Peter Jackson

Cinematography by: John Blick, Alun Bollinger

Edited by: Jamie Selkirk

Willow | ShotOnWhat?

Special Effects

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

The Rescue | ShotOnWhat?

Special Effects

The Rescue (1988)

Directed by: Ferdinand Fairfax

Cinematography by: Russell Boyd

Edited by: David Holden, Carroll Timothy O'Meara

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