Roger Arpajou

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Taken 3 | ShotOnWhat?

Still Photographer

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Search | ShotOnWhat?

Still Photographer

The Search (2014)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Dans la cour | ShotOnWhat?

Still Photographer

Dans la cour (2014)

Directed by: Pierre Salvadori

Cinematography by: Gilles Henry

Edited by: Isabelle Devinck

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

Les invincibles | ShotOnWhat?

Still Photographer

Les invincibles (2013)

Directed by: Frédéric Berthe

Cinematography by: David Quesemand

Edited by: Vanessa Basté, Hugues Darmois, Stéphane Garnier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

Rust and Bone | ShotOnWhat?

Still Photographer

Rust and Bone (2012)

Directed by: Jacques Audiard

Cinematography by: Stéphane Fontaine

Edited by: Juliette Welfling

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

L'enfant d'en haut | ShotOnWhat?

Still Photographer

L'enfant d'en haut (2012)

Directed by: Ursula Meier

Cinematography by: Agnès Godard

Edited by: Nelly Quettier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Midnight in Paris | ShotOnWhat?

Still Photographer

Midnight in Paris (2011)

Directed by: Woody Allen

Cinematography by: Darius Khondji

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses

Hors Satan | ShotOnWhat?

Still Photographer

Hors Satan (2011)

Directed by: Bruno Dumont

Cinematography by: Yves Cape

Edited by: Basile Belkhiri, Bruno Dumont

Omar m'a tuer | ShotOnWhat?

Still Photographer

Omar m'a tuer (2011)

Directed by: Roschdy Zem

Cinematography by: Jérôme Alméras

Edited by: Monica Coleman

Hors la loi | ShotOnWhat?

Still Photographer

Hors la loi (2010)

Directed by: Rachid Bouchareb

Cinematography by: Christophe Beaucarne

Edited by: Yannick Kergoat

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

A Prophet | ShotOnWhat?

Still Photographer

A Prophet (2009)

Directed by: Jacques Audiard

Cinematography by: Stéphane Fontaine

Edited by: Juliette Welfling

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Le dernier vol | ShotOnWhat?

Still Photographer

Le dernier vol (2009)

Directed by: Karim Dridi

Cinematography by: Antoine Monod

Edited by: Lise Beaulieu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

À l'origine | ShotOnWhat?

Still Photographer

À l'origine (2009)

Directed by: Xavier Giannoli

Cinematography by: Glynn Speeckaert

Edited by: Célia Lafitedupont

Paris | ShotOnWhat?

Still Photographer

Paris (2008)

Directed by: Cédric Klapisch

Cinematography by: Christophe Beaucarne

Edited by: Francine Sandberg

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Still Photographer

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Still Photographer

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Flandres | ShotOnWhat?

Still Photographer

Flandres (2006)

Directed by: Bruno Dumont

Cinematography by: Yves Cape

Edited by: Guy Lecorne

Days of Glory | ShotOnWhat?

Still Photographer

Days of Glory (2006)

Directed by: Rachid Bouchareb

Cinematography by: Patrick Blossier

Edited by: Yannick Kergoat

Lenses: Hawk Anamorphic Lenses

Sometimes in April | ShotOnWhat?

Still Photographer

Sometimes in April (2005)

Television Movie

Directed by: Raoul Peck

Cinematography by: Éric Guichard

Edited by: Jacques Comets

Twentynine Palms | ShotOnWhat?

Still Photographer

Twentynine Palms (2003)

Directed by: Bruno Dumont

Cinematography by: Georges Lechaptois

Edited by: Dominique Petrot

Humanité | ShotOnWhat?

Still Photographer

L'Humanité (1999)

Directed by: Bruno Dumont

Cinematography by: Yves Cape

Edited by: Guy Lecorne

The Life of Jesus | ShotOnWhat?

Still Photographer

The Life of Jesus (1997)

Directed by: Bruno Dumont

Cinematography by: Philippe Van Leeuw

Edited by: Yves Deschamps, Guy Lecorne

Chambre à part | ShotOnWhat?

Still Photographer

Chambre à part (1989)

Directed by: Jacky Cukier

Cinematography by: Yves Angelo

Edited by: Anne Lafarge

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