Special Effects Coordinator
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Pyrotechnic Supervisor
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Special Effects Foreman
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Special Effects Foreman
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Special Effects Foreman
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Special Effects Foreman
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Pyrotechnics Foreman
The Last Godfather (2010)
Directed by: Hyung-rae Shim
Cinematography by: Mark Irwin
Edited by: Jeff Freeman
Special Effects Supervisor
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Special Effects
Give 'em Hell Malone (2009)
Directed by: Russell Mulcahy
Cinematography by: Jonathan Hall
Edited by: Robert A. Ferretti
Cameras: Panavision Cameras
Special Effects Coordinator
Hell Ride (2008)
Directed by: Larry Bishop
Cinematography by: Scott Kevan
Special Effects Coordinator
Man in the Chair (2007)
Directed by: Michael Schroeder
Cinematography by: Dana Gonzales
Edited by: Terry Cafaro
Special Effects Coordinator
Hatchet (2006)
Directed by: Adam Green
Cinematography by: Will Barratt
Edited by: Christopher Roth
Special Effects Coordinator
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Special Effects Coordinator
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Special Effects Supervisor
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Special Effects Coordinator
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Special Effects Supervisor, Special Effects Technician
These Old Broads (2001)
Directed by: Matthew Diamond
Cinematography by: Eric Van Haren Noman
Edited by: Casey O. Rohrs
Special Effects Coordinator
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Special Effects: FX Concepts Inc.
The Deep End (2001)
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Mechanical Effects
My First Mister (2001)
Directed by: Christine Lahti
Cinematography by: Jeffrey Jur
Edited by: Wendy Greene Bricmont
Special Effects Supervisor
The Way of the Gun (2000)
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Gun Shot Effects
Four Dogs Playing Poker (2000)
Directed by: Paul Rachman
Cinematography by: Claudio Rocha
Edited by: Conrad M. Gonzalez
Special Effects Coordinator
Idle Hands (1999)
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Special Effects Supervisor: F/X Concepts, Inc.
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
Break Up (1998)
Directed by: Paul Marcus
Cinematography by: Hubert Taczanowski
Edited by: Arthur Coburn
Mechanical Effects Supervisor / Special Effects Coordinator
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Special Effects Supervisor
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Special Effects Coordinator
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects: FTS EFX, Inc.
Hard Eight (1996)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Special Effects Coordinator
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Special Effects
If These Walls Could Talk (1996)
Special Effects Supervisor
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Special Effects Coordinator
Lord of Illusions (1995)
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Special Effects Coordinator
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Special Effects
Corrina, Corrina (1994)
Directed by: Jessie Nelson
Cinematography by: Bruce Surtees
Edited by: Lee Percy
Special Effects Coordinator
Lifepod (1993)
Directed by: Ron Silver
Cinematography by: Robert Steadman
Edited by: Alan Baumgarten
Special Effects Coordinator, Stunt Player
Loaded Weapon 1 (1993)
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Special Effects Coordinator, Stunts
Live Wire (1992)
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur
Edited by: Christopher Greenbury
Special Effects Assistant
Mannequin: On the Move (1991)
Directed by: Stewart Raffill
Cinematography by: Larry Pizer
Pyrotechnician
Leatherface: Texas Chainsaw Massacre III (1990)
Directed by: Jeff Burr
Cinematography by: James L. Carter
Edited by: Brent A. Schoenfeld
Special Effects Foreman
Killer Klowns from Outer Space (1988)
Directed by: Stephen Chiodo
Cinematography by: Alfred Taylor
Edited by: Christopher Roth
Special Optical Effects: Xenon Corporation
Two of a Kind (1983)
Directed by: John Herzfeld
Cinematography by: Fred J. Koenekamp
Edited by: Jack Hofstra
