Digital Intermediate Producer: Company 3 New York
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
Finishing Producer: Company 3 New York
Maestro (2023)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Michelle Tesoro
Lenses: Panavision PVintage Prime Lenses
Head Of Production: Company 3
Blonde (2022)
Directed by: Andrew Dominik
Cinematography by: Chayse Irvin
Edited by: Adam Robinson
Digital Intermediate Producer
Halloween Kills (2021)
Directed by: David Gordon Green
Cinematography by: Michael Simmonds
Edited by: Timothy Alverson
Head Of Production: Company 3
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Head Of Production: Company 3
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Digital Intermediate Producer
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Head Of Production: Company 3
I Think We're Alone Now (2018)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Mini Camera
Digital Intermediate Producer
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Digital Intermediate Producer
I, Tonya (2017)
Directed by: Craig Gillespie
Cinematography by: Nicolas Karakatsanis
Edited by: Tatiana S. Riegel
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Intermediate Producer
The Survivalist (2015)
Directed by: Stephen Fingleton
Cinematography by: Damien Elliott
Edited by: Mark Towns
Digital Intermediate Producer
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Digital Intermediate Post Producer
The Heart Machine (2014)
Directed by: Zachary Wigon
Cinematography by: Robert Leitzell
Cameras: ARRI ALEXA Camera
Lenses: Cooke Varotal Lenses, Zeiss Lenses
Digital Intermediate Producer
Love Is Strange (2014)
Directed by: Ira Sachs
Cinematography by: Christos Voudouris
Digital Intermediate Post Producer
Still Alice (2014)
Cinematography by: Denis Lenoir
Edited by: Nicolas Chaudeurge
Cameras: ARRI ALEXA Camera
