Heather Mullen

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All I See Is You | ShotOnWhat?

First Assistant Editor

All I See Is You (2016)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Hughes Winborne

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision G Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Assistant Editor

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Guardians of the Galaxy | ShotOnWhat?

Second Assistant Editor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

The Master | ShotOnWhat?

Additional Assistant Editor

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

The Help | ShotOnWhat?

First Assistant Editor

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Public Enemies | ShotOnWhat?

Assistant Editor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Seven Pounds | ShotOnWhat?

Assistant Editor

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

The Sisterhood of the Traveling Pants 2 | ShotOnWhat?

First Assistant Editor

The Sisterhood of the Traveling Pants 2 (2008)

Directed by: Sanaa Hamri

Cinematography by: Jim Denault

Edited by: Melissa Kent

There Will Be Blood | ShotOnWhat?

Dailies Assistant Editor

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

The Pursuit of Happyness | ShotOnWhat?

Assistant Editor

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

She's the Man | ShotOnWhat?

First Assistant Editor

She's the Man (2006)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Beauty Shop | ShotOnWhat?

First Assistant Editor

Beauty Shop (2005)

Directed by: Bille Woodruff

Cinematography by: Theo van de Sande

Edited by: Michael Jablow

Old School | ShotOnWhat?

First Assistant Editor

Old School (2003)

Directed by: Todd Phillips

Cinematography by: Mark Irwin

Edited by: Michael Jablow

The Last Castle | ShotOnWhat?

First Assistant Editor

The Last Castle (2001)

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

61* | ShotOnWhat?

First Assistant Editor

61* (2001)

Television Movie

Directed by: Billy Crystal

Cinematography by: Haskell Wexler

Edited by: Michael Jablow

Cameras: ARRIFLEX 435 ES Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Screwed | ShotOnWhat?

First Assistant Editor

Screwed (2000)

Directed by: Scott Alexander, Larry Karaszewski

Cinematography by: Robert Brinkmann

Edited by: Michael Jablow

The Contender | ShotOnWhat?

First Assistant Editor

The Contender (2000)

Directed by: Rod Lurie

Cinematography by: Denis Maloney

Edited by: Michael Jablow

Homegrown | ShotOnWhat?

First Assistant Editor

Homegrown (1998)

Directed by: Stephen Gyllenhaal

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Can't Hardly Wait | ShotOnWhat?

First Assistant Editor

Can't Hardly Wait (1998)

Directed by: Harry Elfont, Deborah Kaplan

Cinematography by: Lloyd Ahern II

Edited by: Michael Jablow

Breast Men | ShotOnWhat?

Assistant Editor

Breast Men (1997)

Television Movie

Directed by: Lawrence O'Neil

Cinematography by: Robert M. Stevens

Edited by: Michael Jablow

Beautiful Girls | ShotOnWhat?

Assistant Music Editor

Beautiful Girls (1996)

Directed by: Ted Demme

Cinematography by: Adam Kimmel

Edited by: Jeffrey Wolf

Life with Mikey | ShotOnWhat?

Assistant Editor

Life with Mikey (1993)

Directed by: James Lapine

Cinematography by: Rob Hahn

Edited by: Robert Leighton

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