Color Grader
The Quiet American (2002)
Directed by: Phillip Noyce
Cinematography by: Christopher Doyle
Edited by: John Scott
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Grader
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Color Grader
The Bank (2001)
Directed by: Robert Connolly
Cinematography by: Tristan Milani
Edited by: Nick Meyers
Color Timer
Lantana (2001)
Directed by: Ray Lawrence
Cinematography by: Mandy Walker
Edited by: Karl Sodersten
Color Grader
The Goddess of 1967 (2000)
Directed by: Clara Law
Cinematography by: Dion Beebe
Edited by: Kate Williams
Color Grader
Mr. Accident (2000)
Directed by: Yahoo Serious
Cinematography by: Steve Arnold
Edited by: Simon Martin
Color Grader
The Dish (2000)
Directed by: Rob Sitch
Cinematography by: Graeme Wood
Edited by: Jill Bilcock
Grader
Strange Planet (1999)
Directed by: Emma-Kate Croghan
Cinematography by: Justin Brickle
Edited by: Ken Sallows
Color Timer
Two Hands (1999)
Directed by: Gregor Jordan
Cinematography by: Malcolm McCulloch
Edited by: Lee Smith
Color Grader
Dear Claudia (1999)
Directed by: Chris Cudlipp
Cinematography by: Brian J. Breheny
Edited by: Bill Murphy
Color Grader
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Color Grader: UK
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Grader
Paradise Road (1997)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
Color Grader
Kiss or Kill (1997)
Directed by: Bill Bennett
Cinematography by: Malcolm McCulloch
Edited by: Henry Dangar
Color Grader: Atlab
Shine (1996)
Directed by: Scott Hicks
Cinematography by: Geoffrey Simpson
Edited by: Pip Karmel
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Color Grader
Babe (1995)
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Color Timer
Rapa Nui (1994)
Directed by: Kevin Reynolds
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Color Timer
Little Women (1994)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Color Grader
The Piano (1993)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Color Grader
Black Robe (1991)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
Color Timer
Green Card (1990)
Directed by: Peter Weir
Cinematography by: Geoffrey Simpson
Edited by: William M. Anderson
Color Grader
Dead Calm (1989)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: Richard Francis-Bruce
Color Grader
High Tide (1987)
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman
Grading
Les Patterson Saves the World (1987)
Directed by: George Miller
Cinematography by: David Connell
Edited by: Tim Wellburn
Grader
Turkey Shoot (1982)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Alan Lake
Color Grader
Gallipoli (1981)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: William M. Anderson
Cameras: Panavision Cameras
Color Grading
Tim (1979)
Directed by: Michael Pate
Cinematography by: Paul Onorato
Edited by: David Stiven
Laboratory Grader
The F.J. Holden (1977)
Directed by: Michael Thornhill
Cinematography by: David Gribble
Edited by: Max Lemon
