Digital Intermediate Assist
Measure of a Man (2018)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRI ALEXA Camera
Digital Intermediate Producer
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Digital Intermediate Assist
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Digital Intermediate Assist
Life Itself (2018)
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Digital Intermediate Assist
My Friend Dahmer (2017)
Directed by: Marc Meyers
Cinematography by: Daniel Katz
Edited by: Jamie Kirkpatrick
Cameras: ARRI ALEXA XT Series Cameras
Digital Intermediate Assist: Light Iron
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Digital Intermediate Assist
The American Side (2016)
Directed by: Jenna Ricker
Cinematography by: Frank Barrera
Edited by: Robert Grigsby Wilson
Cameras: ARRI ALEXA Camera
Digital Intermediate Assist
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Digital Intermediate Assist
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Digital Intermediate Assist
Cold in July (2014)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Cameras: Red Epic Camera
Digital Intermediate Assist
Kelly & Cal (2014)
Directed by: Jen McGowan
Cinematography by: Philip Lott
Edited by: David Hopper
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk V-Series Lenses
Editing System: Final Cut Pro Editing System
Digital Intermediate Administration: Light Iron
In a World... (2013)
Directed by: Lake Bell
Cinematography by: Seamus Tierney
Edited by: Tom McArdle
Cameras: Red Epic Camera
Lenses: Hawk C-Series Lenses
Digital Intermediate Administrator
Big Sur (2013)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Cameras: Red Epic Camera, Red One Camera
Producer Assistant
The River Why (2010)
Directed by: Matthew Leutwyler
Cinematography by: Karsten Gopinath
Post-production Assistant, Producer Assistant
Every Day (2010)
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
