Dean Mozian

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Measure of a Man | ShotOnWhat?

Digital Intermediate Assist

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

BlacKkKlansman | ShotOnWhat?

Digital Intermediate Producer

BlacKkKlansman (2018)

Directed by: Spike Lee

Cinematography by: Chayse Irvin

Edited by: Barry Alexander Brown

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Can You Ever Forgive Me? | ShotOnWhat?

Digital Intermediate Assist

Can You Ever Forgive Me? (2018)

Directed by: Marielle Heller

Cinematography by: Brandon Trost

Edited by: Anne McCabe

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Primo 70 Lenses

Free Solo | ShotOnWhat?

Digital Intermediate Producer

Free Solo (2018)

Directed by: Jimmy Chin, Elizabeth Chai Vasarhelyi

Cinematography by: Jimmy Chin, Clair Popkin, Mikey Schaefer

Edited by: Bob Eisenhardt

Cameras: Blackmagic URSA Camera, Canon EOS-1Ds Mark II Camera, Canon EOS-C300 Mark II Camera

Pride and Prejudice and Zombies | ShotOnWhat?

Digital Intermediate Assist: Light Iron

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

The American Side | ShotOnWhat?

Digital Intermediate Assist

The American Side (2016)

Directed by: Jenna Ricker

Cinematography by: Frank Barrera

Edited by: Robert Grigsby Wilson

Cameras: ARRI ALEXA Camera

Fathers and Daughters | ShotOnWhat?

Digital Intermediate Assist

Fathers & Daughters (2015)

Directed by: Gabriele Muccino

Cinematography by: Shane Hurlbut

Edited by: Alex Rodríguez

Cameras: Canon EOS-C500 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses, Leitz Summilux-C Series Lenses

John Wick | ShotOnWhat?

Digital Intermediate Assist

John Wick (2014)

Directed by: Chad Stahelski, David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Cold in July | ShotOnWhat?

Digital Intermediate Assist

Cold in July (2014)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: John Paul Horstmann, Jim Mickle

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Kelly & Cal | ShotOnWhat?

Digital Intermediate Assist

Kelly & Cal (2014)

Directed by: Jen McGowan

Cinematography by: Philip Lott

Edited by: David Hopper

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Series Lenses

Editing System: Final Cut Pro Editing System

In a World... | ShotOnWhat?

Digital Intermediate Administration: Light Iron

In a World... (2013)

Directed by: Lake Bell

Cinematography by: Seamus Tierney

Edited by: Tom McArdle

Cameras: Red Epic Camera

Lenses: Hawk C-Series Lenses

Big Sur | ShotOnWhat?

Digital Intermediate Administrator

Big Sur (2013)

Directed by: Michael Polish

Cinematography by: M. David Mullen

Edited by: Geraud Brisson, Robert Frazen

Cameras: Red Epic Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The River Why | ShotOnWhat?

Producer Assistant

The River Why (2010)

Directed by: Matthew Leutwyler

Cinematography by: Karsten Gopinath

Edited by: Robert Dalva, Matthew Leutwyler

Every Day | ShotOnWhat?

Post-production Assistant, Producer Assistant

Every Day (2010)

Directed by: Richard Levine

Cinematography by: Nancy Schreiber

Edited by: Pam Wise

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