Special Effects Coordinator
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Special Effects Coordinator: San Francisco
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Stage Technician: ILM
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Pyrotechnician: ILM
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Coordinator: Additional Photography
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Special Effects Technician
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Effects Coordinator
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Special Effects Foreman
Copycat (1995)
Directed by: Jon Amiel
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Construction Foreman: San Francisco
Murder in the First (1995)
Directed by: Marc Rocco
Cinematography by: Fred Murphy
Edited by: Russell Livingstone
Special Effects: Napa
A Walk in the Clouds (1995)
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Special Effects
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Special Effects
Class Action (1991)
Directed by: Michael Apted
Cinematography by: Conrad L. Hall
Edited by: Ian Crafford
Special Effects Coordinator
Men at Work (1990)
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Special Effects
Kansas (1988)
Directed by: David Stevens
Cinematography by: David Eggby
Edited by: Robert Barrere
Special Effects
The Mosquito Coast (1986)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Construction Coordinator
Birdy (1984)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Construction Coordinator
Shoot the Moon (1982)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
