Colorist: Le Labo Paris
An Officer and a Spy (2019)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Cameras: Sony CineAlta VENICE Camera
Colorist
Atlantics (2019)
Directed by: Mati Diop
Cinematography by: Claire Mathon
Edited by: Aël Dallier Vega
Cameras: Panasonic VariCam 35, Red Weapon Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Digital Intermediate Colorist Technicolor Paris
Human (2015)
Directed by: Yann Arthus-Bertrand
Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens
Editing System: Avid Editing System
Colorist
Les cowboys (2015)
Directed by: Thomas Bidegain
Cinematography by: Arnaud Potier
Edited by: Géraldine Mangenot
Cameras: ARRI ALEXA XT Camera
Digital Intermediate Colorist
Les trois frères, le retour (2014)
Cinematography by: Pascal Caubère
Edited by: Jeanne Kef
Digital Film Colorist: Technicolor Paris
L'ex de ma vie (2014)
Directed by: Dorothée Sebbagh
Cinematography by: Gilles Porte
Edited by: Laurent Rouan
Cameras: Red Epic Camera
Digital Intermediate Colorist
La lampe au beurre de yak (2013)
Directed by: Wei Hu
Edited by: Wei Hu
Cameras: Red Epic Camera
Lenses: Red Pro Prime Lenses
Digital Intermediate Colorist
La grande boucle (2013)
Directed by: Laurent Tuel
Cinematography by: Gilles Porte
Edited by: Antoine Vareille
Cameras: Red Epic Camera
Digital Intermediate Colorist
Le grand soir (2012)
Cinematography by: Hugues Poulain
Edited by: Stéphane Elmadjian
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Digital Intermediate Colorist
10 jours en or (2012)
Directed by: Nicolas Brossette
Cinematography by: Benoît Chamaillard
Edited by: Jean-François Elie
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist
Farewell, My Queen (2012)
Directed by: Benoît Jacquot
Cinematography by: Romain Winding
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist
L'amour, c'est mieux à deux (2010)
Cinematography by: Éric Guichard
Edited by: Sylvie Gadmer
Digital Colorist Assistant
Babylon A.D. (2008)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Dailies Color Grader
Paris (2008)
Directed by: Cédric Klapisch
Cinematography by: Christophe Beaucarne
Edited by: Francine Sandberg
Digital Color Grader
Afterwards (2008)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Valérie Deseine
Digital Color Grader
Parlez-moi de la pluie (2008)
Directed by: Agnès Jaoui
Cinematography by: David Quesemand
Edited by: François Gédigier
Dailies Color Grader
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Dailies Color Grader
La fille de Monaco (2008)
Directed by: Anne Fontaine
Cinematography by: Patrick Blossier
Edited by: Maryline Monthieux
Dailies Color Grader
Ce que mes yeux ont vu (2007)
Directed by: Laurent de Bartillat
Cinematography by: Jean-Marc Selva
Edited by: Tina Baz
Dailies Color Grader
The Diving Bell and the Butterfly (2007)
Directed by: Julian Schnabel
Cinematography by: Janusz Kaminski
Edited by: Juliette Welfling
Cameras: ARRIFLEX 435 Camera
