James Yates

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"13 Reasons Why" The Box of Polaroids | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Box of Polaroids (2018)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Sue Blainey, Leo Trombetta

"13 Reasons Why" Two Girls Kissing | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' Two Girls Kissing (2018)

Television Episode

Directed by: Gregg Araki

Cinematography by: Cameron Duncan

Edited by: Jacques Gravett

"13 Reasons Why" The First Polaroid | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The First Polaroid (2018)

Television Episode

Directed by: Gregg Araki

Cinematography by: Cameron Duncan

Edited by: Jacques Gravett

"13 Reasons Why" The Drunk Slut | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Drunk Slut (2018)

Television Episode

Directed by: Karen Moncrieff

Cinematography by: Cameron Duncan

Edited by: Philip Harrison

"13 Reasons Why" The Chalk Machine | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Chalk Machine (2018)

Television Episode

Directed by: Eliza Hittman

Cinematography by: Cameron Duncan

Edited by: Sue Blainey

"13 Reasons Why" The Second Polaroid | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Second Polaroid (2018)

Television Episode

Directed by: Karen Moncrieff

Cinematography by: Cameron Duncan

Edited by: Philip Harrison

"13 Reasons Why" The Smile at the End of the Dock | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Smile at the End of the Dock (2018)

Television Episode

Directed by: Eliza Hittman

Cinematography by: Cameron Duncan

Edited by: Sue Blainey

"13 Reasons Why" The Third Polaroid | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Third Polaroid (2018)

Television Episode

Directed by: Michael Morris

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett

"13 Reasons Why" The Little Girl | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Little Girl (2018)

Television Episode

Directed by: Michael Morris

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett

"13 Reasons Why" The Missing Page | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' The Missing Page (2018)

Television Episode

Directed by: Kat Candler

Cinematography by: Ivan Strasburg

Edited by: Philip Harrison

"13 Reasons Why" Smile, Bitches | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' Smile, Bitches (2018)

Television Episode

Directed by: Kat Candler

Cinematography by: Ivan Strasburg

Edited by: Philip Harrison

"13 Reasons Why" Bryce and Chloe | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' Bryce and Chloe (2018)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Sue Blainey, Leo Trombetta

"13 Reasons Why" Bye | ShotOnWhat?

Visual Effects Producer

'13 Reasons Why' Bye (2018)

Television Episode

Directed by: Kyle Patrick Alvarez

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett, Leo Trombetta

Avengers: Infinity War | ShotOnWhat?

Previs Coordinator: The Third Floor

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

13 Reasons Why | ShotOnWhat?

Visual Effects Producer - 13 Episodes, 2018

13 Reasons Why (2017)

Television Series

Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer

Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams

Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Cameras: Panasonic VariCam 35

Lenses: Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Captain America: Civil War | ShotOnWhat?

Visual Effects Coordinator

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Hateful Eight | ShotOnWhat?

Visual Effects Coordinator

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Run All Night | ShotOnWhat?

Visual Effects Production Coordinator

Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Winter's Tale | ShotOnWhat?

Visual Effects Production Assistant

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

Supervision And Production: Framestore

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Inside Llewyn Davis | ShotOnWhat?

Visual Effects Production Assistant: Framestore

Inside Llewyn Davis (2013)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Bruno Delbonnel

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System

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