Colorist: Dailies
Adventures of Power (2008)
Directed by: Ari Gold
Cinematography by: Lisa Wiegand
Edited by: Geraud Brisson
Lenses: Zeiss Super Speed Lenses
Colorist: Dailies
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Colorist: Dailies
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Colorist: Dailies
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Colorist: Dailies
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Colorist: Dailies
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Colorist
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Colorist
Duets (2000)
Directed by: Bruce Paltrow
Cinematography by: Paul Sarossy
Edited by: Gerald B. Greenberg
Assistant Colorist
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Colorist
Outside Providence (1999)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Cameras: Panavision Panaflex Camera
Assistant Colorist
Teaching Mrs. Tingle (1999)
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
Assistant Colorist
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Colorist
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Assistant Colorist
A Soldier's Daughter Never Cries (1998)
Directed by: James Ivory
Cinematography by: Jean-Marc Fabre
Edited by: Noëlle Boisson
Cameras: Panavision Panaflex Platinum Camera
Colorist
Wide Awake (1998)
Directed by: M. Night Shyamalan
Cinematography by: Adam Holender
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Colorist
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Colorist
All I Wanna Do (1998)
Directed by: Sarah Kernochan
Cinematography by: Tony C. Jannelli
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Colorist
Rounders (1998)
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Colorist
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Colorist
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Colorist
B. Monkey (1998)
Directed by: Michael Radford
Cinematography by: Ashley Rowe
Edited by: Joëlle Hache
Colorist
Firelight (1997)
Directed by: William Nicholson
Cinematography by: Nic Morris
Edited by: Chris Wimble
Assistant Colorist: Dailies
The Night Flier (1997)
Directed by: Mark Pavia
Cinematography by: David Connell
Edited by: Elizabeth Schwartz
Colorist
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Colorist
Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996)
Directed by: Paris Barclay
Cinematography by: Russ Brandt
Assistant Colorist
Sling Blade (1996)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Colorist
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Assistant Coloring
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Assistant Colorist
Swingers (1996)
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Assistant Colorist
Curdled (1996)
Directed by: Reb Braddock
Cinematography by: Steven Bernstein
Edited by: Mallory Gottlieb
Assistant Colorist: Standard Definition
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Assistant Colorist / Assistant Colorist: Dailies
The Prophecy (1995)
Directed by: Gregory Widen
Edited by: Sonny Baskin
Assistant Colorist
Captives (1994)
Directed by: Angela Pope
Cinematography by: Remi Adefarasin
Edited by: Dave King
Assistant Colorist
Quiz Show (1994)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Cameras: ARRIFLEX 35mm Cameras
Assistant Colorist: Dailies
Rocky V (1990)
Directed by: John G. Avildsen
Cinematography by: Steven Poster