Sound Mixer
Greyhound (2020)
Directed by: Aaron Schneider
Cinematography by: Shelly Johnson
Cameras: Panavision Millennium DXL Camera
Production Sound Mixer
'Cougar Town' Two Men Talking (2015)
Directed by: John Putch
Cinematography by: Sylvain D'Hautcourt
Edited by: Martin Wilson
Production Sound Mixer
'Cougar Town' American Dream Plan B (2015)
Directed by: Courteney Cox
Cinematography by: Sylvain D'Hautcourt
Edited by: Roger Bondelli
Production Sound Mixer
'Cougar Town' To Find a Friend (2015)
Directed by: John Putch
Cinematography by: Sylvain D'Hautcourt
Edited by: Martin Wilson
Production Sound Mixer
'Cougar Town' Full Grown Boy (2015)
Directed by: John Putch
Cinematography by: Sylvain D'Hautcourt
Edited by: Roger Bondelli
Production Sound Mixer
'Cougar Town' Waiting for Tonight (2015)
Directed by: Michael McDonald
Cinematography by: Sylvain D'Hautcourt
Edited by: Martin Wilson
Production Sound Mixer
'Cougar Town' Even the Losers (2015)
Directed by: Busy Philipps
Cinematography by: Sylvain D'Hautcourt
Edited by: Roger Bondelli
Production Sound Mixer
'Cougar Town' The Wrong Thing to Do (2015)
Directed by: John Putch
Cinematography by: Sylvain D'Hautcourt
Edited by: Martin Wilson
Production Sound Mixer
'Cougar Town' The Wild One, Forever (2015)
Directed by: Josh Hopkins
Cinematography by: Sylvain D'Hautcourt
Edited by: Roger Bondelli
Pub Goer, Sound Mixer
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Sound Mixer
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Sound Mixer
Altergeist (2014)
Directed by: Tedi Sarafian
Cinematography by: Aaron Heck
Cameras: ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Editing System: Final Cut Pro Editing System
Sound Mixer
'Episodes' Episode Five (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer
'Episodes' Episode Four (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer
'Episodes' Episode Three (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer
'Episodes' Episode Two (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer
'Episodes' Episode One (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Sound Mixer
'Episodes' Episode Seven (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer
'Episodes' Episode Six (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer
'Episodes' Episode Eight (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer
'Episodes' Episode Nine (2014)
Directed by: Iain B. MacDonald
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer: Second Unit
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Additional Sound Mixer
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Sound Mixer: 2nd Unit
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Sound Mixer: Second Unit
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Sound Mixer - 9 Episodes, 2014
Episodes (2011)
Cinematography by: Rob Kitzmann
Cameras: ARRI ALEXA Camera
Additional Production Sound Mixer
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Additional Sound Mixer
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Sound Mixer: Additional Photography
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Production Sound Mixer
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Production Sound Mixer / Sound Mixer
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Sound Mixer
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Production Sound Mixer - 8 Episodes, 2015
Cougar Town (2009)
Directed by: John Putch, Michael McDonald, Courteney Cox, Bill Lawrence, Gail Mancuso, Bruce Leddy, Chris Koch, Michael Spiller, Josh Hopkins, Jamie Babbit, Lee Shallat Chemel, Phil Traill, Ken Whittingham, Millicent Shelton, Randall Keenan Winston, Sam Jones, Brian Van Holt, Busy Philipps, Courtney Rowe
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera
Sound Mixer
The Forbidden Kingdom (2008)
Directed by: Rob Minkoff
Cinematography by: Peter Pau
Edited by: Eric Strand
Cameras: Panavision Genesis Camera
Production Sound Mixer / Sound Mixer
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Sound Mixer
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Sound Mixer: Reshoots
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
