Brian Scott Olds

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Get Hard | ShotOnWhat?

Additional Editor

Get Hard (2015)

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Trainwreck | ShotOnWhat?

Additional Editor

Trainwreck (2015)

Directed by: Judd Apatow

Cinematography by: Jody Lee Lipes

Edited by: William Kerr, Paul Zucker

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke 5/i Lenses

Tammy | ShotOnWhat?

Additional Editor

Tammy (2014)

Directed by: Ben Falcone

Cinematography by: Russ T. Alsobrook

Edited by: Michael L. Sale

Cameras: Panavision Panaflex Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

We're the Millers | ShotOnWhat?

Additional Editor

We're the Millers (2013)

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Five-Year Engagement | ShotOnWhat?

First Assistant Editor

The Five-Year Engagement (2012)

Directed by: Nicholas Stoller

Cinematography by: Javier Aguirresarobe

Edited by: William Kerr, Peck Prior

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Zero Dark Thirty | ShotOnWhat?

Assistant Editor

Zero Dark Thirty (2012)

Directed by: Kathryn Bigelow

Cinematography by: Greig Fraser

Edited by: William Goldenberg, Dylan Tichenor

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Editing System: Avid Editing System

Bridesmaids | ShotOnWhat?

First Assistant Editor

Bridesmaids (2011)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Get Him to the Greek | ShotOnWhat?

First Assistant Editor

Get Him to the Greek (2010)

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

Public Enemies | ShotOnWhat?

First Assistant Editor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Forgetting Sarah Marshall | ShotOnWhat?

Assistant Editor

Forgetting Sarah Marshall (2008)

Directed by: Nicholas Stoller

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Superbad | ShotOnWhat?

Apprentice Editor

Superbad (2007)

Directed by: Greg Mottola

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Phantom HD Camera

Editing System: Avid Editing System

Miami Vice | ShotOnWhat?

Apprentice Editor

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Monster House | ShotOnWhat?

Post-production Assistant

Monster House (2006)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Collateral | ShotOnWhat?

Post-production Assistant

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

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