Jack Rhys Phillips

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Altered Carbon | ShotOnWhat?

Roto/prep Supervisor: DNegTV - 2 Episodes, 2018

Altered Carbon (2018)

Television Series

Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik

Cinematography by: Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon

Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

"Altered Carbon" Rage in Heaven | ShotOnWhat?

Roto/prep Supervisor: DNegTV

'Altered Carbon' Rage in Heaven (2018)

Television Episode

Directed by: Peter Hoar

Cinematography by: Martin Ahlgren

Edited by: Byron Smith

"Altered Carbon" The Killers | ShotOnWhat?

Roto/prep Supervisor: DNegTV

'Altered Carbon' The Killers (2018)

Television Episode

Directed by: Peter Hoar

Cinematography by: Martin Ahlgren

Edited by: Michael Ruscio, Byron Smith

Terminator Genisys | ShotOnWhat?

Visual Effects Artist

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Maleficent | ShotOnWhat?

Stereoscopic Compositor

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Guardians of the Galaxy | ShotOnWhat?

Compositor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Exodus: Gods and Kings | ShotOnWhat?

Stereo Compositor

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Cleanskin | ShotOnWhat?

Additional Visual Effects Artist

Cleanskin (2012)

Directed by: Hadi Hajaig

Cinematography by: Ian Howes

Edited by: Hadi Hajaig

Hard Shoulder | ShotOnWhat?

Visual Effects Artist: Dragon DI

Hard Shoulder (2012)

Directed by: Nicholas David Lean

Cinematography by: Steven Priovolos

Edited by: Derek Burgess

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Killer Elite | ShotOnWhat?

Visual Effects Artist: Dragon DI

Killer Elite (2011)

Directed by: Gary McKendry

Cinematography by: Simon Duggan

Edited by: John Gilbert

Third Star | ShotOnWhat?

Assistant Colourist: Dragon DI

Third Star (2010)

Directed by: Hattie Dalton

Cinematography by: Carlos Catalán

Edited by: Peter Christelis

Cameras: ARRI Cameras

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