Sameer Shah

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Black Panther: Wakanda Forever | ShotOnWhat?

Digital Lead Artist: Industrial Light & Magic

Black Panther: Wakanda Forever (2022)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Senior Matte Painter/generalist: ILM

Star Wars: Episode IX - The Rise of Skywalker (2019)

Motion Picture

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Senior Matte Painter/generalist: ILM

Solo: A Star Wars Story (2018)

Motion Picture

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Digital Artist: ILM

Skyscraper (2018)

Motion Picture

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Senior Digital Artist

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Senior Matte Painter

The Jungle Book (2016)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Senior Digital Artist

The Martian (2015)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Senior Matte Painter

Guardians of the Galaxy (2014)

Motion Picture

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Senior Matte Painter: MPC

Exodus: Gods and Kings (2014)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Senior Matte Painter

American Sniper (2014)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Environment Artist

The Maze Runner (2014)

Motion Picture

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Digital Artist

This Is the End (2013)

Motion Picture

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Senior Matte Painter: Hammerhead

42 (2013)

Motion Picture

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Additional Technical Director

Kung Fu Panda 2 (2011)

Motion Picture

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

Matte Painter

How to Train Your Dragon (2010)

Motion Picture

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Lighting Technical Director

Kung Fu Panda (2008)

Motion Picture

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

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Sameer Shah

Digital Lead Artist: Industrial Light & Magic

Black Panther: Wakanda Forever (2022)

Senior Matte Painter/generalist: ILM

Star Wars: Episode IX - The Rise of Skywalker (2019)

Senior Matte Painter/generalist: ILM

Solo: A Star Wars Story (2018)

Digital Artist: ILM

Skyscraper (2018)

Senior Digital Artist

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Senior Matte Painter

The Jungle Book (2016)

Senior Digital Artist

The Martian (2015)

Senior Matte Painter

Guardians of the Galaxy (2014)

Senior Matte Painter: MPC

Exodus: Gods and Kings (2014)

Senior Matte Painter

American Sniper (2014)

Environment Artist

The Maze Runner (2014)

Digital Artist

This Is the End (2013)

Senior Matte Painter: Hammerhead

42 (2013)

Additional Technical Director

Kung Fu Panda 2 (2011)

Matte Painter

How to Train Your Dragon (2010)

Lighting Technical Director

Kung Fu Panda (2008)

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