Digital Compositor
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Compositor
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Digital Compositor
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Digital Compositor
North Face (2008)
Directed by: Philipp Stölzl
Cinematography by: Kolja Brandt
Edited by: Sven Budelmann
Digital Compositor
The Baader Meinhof Complex (2008)
Directed by: Uli Edel
Cinematography by: Rainer Klausmann
Edited by: Alexander Berner
Digital Compositor
Warum Männer nicht zuhören und Frauen schlecht einparken (2007)
Directed by: Leander Haußmann
Cinematography by: Tilman Büttner
Edited by: Peter R. Adam
Digital Compositor
Der Räuber Hotzenplotz (2006)
Directed by: Gernot Roll
Cinematography by: Gernot Roll
Edited by: Horst Reiter
Digital Compositor
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Digital Compositor
Magic Carpet Ride (2005)
Directed by: Yilmaz Erdogan
Cinematography by: Ugur Içbak
Edited by: Mustafa Presheva
