Assistant Editor
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Post-production Assistant
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Post-production Assistant
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Production Assistant
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Visual Effects Production Assistant: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Accounting Clerk
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Apprentice Film Editor
The Affair of the Necklace (2001)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Apprentice Editor
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Production Office Assistant
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Visual Effects Production Assistant
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Apprentice Editor
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Production Secretary
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Production Assistant To Producer
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Office Assistant
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Production Assistant
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Set Production Assistant: Second Unit
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
