Negative Assembly And Preparation
The Uninvited (2009)
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Film Data Manager
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Film Data Manager: Sommerware Systems Inc.
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Digital Intermediate Negative Preparation
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Original Negative Preparation: Digital Intermediate
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Negative Preparation
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Film Data Manager
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Negative Cutter
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Film Data Manager: Digital Intermediate, Sommerware
Domino (2005)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Film Data Manager: Digital Intermediate
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Film Data Manager: Los Angeles
Hard Candy (2005)
Directed by: David Slade
Cinematography by: Jo Willems
Edited by: Art Jones
Negative Cutting Software: Computamatch
Leaving Metropolis (2002)
Directed by: Brad Fraser
Cinematography by: Daniel Vincelette
Edited by: Earl Fudger
Negative Cutting Software
Wild Australia: The Edge (1996)
Directed by: John Weiley
Cinematography by: Tom Cowan
Edited by: Nicholas Holmes
