Sound Consultant: Dolby
An Education (2009)
Directed by: Lone Scherfig
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: ARRIFLEX 235 Camera
Lenses: Cooke Speed Panchro Lenses
Sound Consultant: Dolby
Valhalla Rising (2009)
Directed by: Nicolas Winding Refn
Cinematography by: Morten Søborg
Edited by: Matthew Newman
Cameras: Red One Camera
Sound Consultant: Dolby
Five Minutes of Heaven (2009)
Directed by: Oliver Hirschbiegel
Cinematography by: Ruairí O'Brien
Edited by: Hans Funck
Sound Consultant: Dolby
The Eclipse (2009)
Directed by: Conor McPherson
Cinematography by: Ivan McCullough
Edited by: Emer Reynolds
Sound Consultant: Dolby
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Sound Consultant: Dolby
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Sound Consultant: Dolby
Venkovský ucitel (2008)
Directed by: Bohdan Sláma
Cinematography by: Divis Marek
Edited by: Jan Danhel
Sound Consultant: Dolby
Dean Spanley (2008)
Directed by: Toa Fraser
Cinematography by: Leon Narbey
Edited by: Chris Plummer
Sound Consultant: Dolby
Franklyn (2008)
Directed by: Gerald McMorrow
Cinematography by: Ben Davis
Edited by: Peter Christelis
Sound Consultant: Dolby
Freakdog (2008)
Directed by: Paddy Breathnach
Cinematography by: Ruairí O'Brien
Edited by: Dermot Diskin
Sound Consultant: Dolby
The Escapist (2008)
Directed by: Rupert Wyatt
Cinematography by: Philipp Blaubach
Edited by: Joe Walker
Sound Consultant: Dolby
The Wind that Shakes the Barley (2006)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Lenses: Zeiss Ultra Prime Lenses
Sound Consultant: Dolby
Opal Dream (2006)
Directed by: Peter Cattaneo
Cinematography by: Robert Humphreys
Sound Consultant: Dolby
Klimt (2006)
Directed by: Raoul Ruiz
Cinematography by: Ricardo Aronovich
Edited by: Valeria Sarmiento
Sound Consultant: Dolby
The Front Line (2006)
Directed by: David Gleeson
Cinematography by: Volker Tittel
Edited by: Stuart Gazzard
Sound Consultant: Dolby
Zidane, un portrait du 21e siècle (2006)
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Sound Consultant: Dolby
Keeping Mum (2005)
Directed by: Niall Johnson
Cinematography by: Gavin Finney
Edited by: Robin Sales
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Consultant: Dolby
Breakfast on Pluto (2005)
Directed by: Neil Jordan
Cinematography by: Declan Quinn
Edited by: Tony Lawson
Sound Consultant: Dolby
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Sound Consultant: Dolby
Gladiatress (2004)
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Stereo Sound Consultant: Dolby
Shaun of the Dead (2004)
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Sound Consultant: Dolby
The Sleeping Dictionary (2003)
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Sound Consultant: Dolby
Wondrous Oblivion (2003)
Directed by: Paul Morrison
Cinematography by: Nina Kellgren
Edited by: David Freeman
Sound Consultant: Dolby
Bright Young Things (2003)
Directed by: Stephen Fry
Cinematography by: Henry Braham
Edited by: Alex Mackie
Sound Consultant: Dolby
Morvern Callar (2002)
Directed by: Lynne Ramsay
Cinematography by: Alwin H. Küchler
Edited by: Lucia Zucchetti
Cameras: Moviecam Compact Camera
Engineer: Dolby
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Sound Consultant: Dolby
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Sound Consultant: Dolby
Dirty Pretty Things (2002)
Directed by: Stephen Frears
Cinematography by: Chris Menges
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Sound Consultant: Dolby
My Brother Tom (2001)
Directed by: Dom Rotheroe
Cinematography by: Robby Müller
Edited by: David Charap
Sound Consultant: Dolby
The Bunker (2001)
Directed by: Rob Green
Cinematography by: John Pardue
Edited by: Richard Milward
Sound Consultant: Dolby
Buffalo Soldiers (2001)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Sound Consultant: Dolby
The Beach (2000)
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
Sound Consultant: Dolby
Beautiful Creatures (2000)
Directed by: Bill Eagles
Cinematography by: James Welland
