Jon Mendenhall

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Maestro | ShotOnWhat?

Dailies Workflow Specialist: Company 3 Los Angeles

Maestro (2023)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Michelle Tesoro

Cameras: Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision PVintage Prime Lenses

Killers of the Flower Moon | ShotOnWhat?

Dailies Workflow Specialist: Company 3

Killers of the Flower Moon (2023)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Editing System: Lightworks Editing System

Flamin' Hot | ShotOnWhat?

Dailies Workflow Specialist

Flamin' Hot (2023)

Movie

Directed by: Eva Longoria

Cinematography by: Federico Cantini

Edited by: Kayla Emter, Liza D. Espinas

Cameras: Sony CineAlta VENICE Camera

Lenses: Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses

The Iron Claw | ShotOnWhat?

Dailies Workflow Specialist

The Iron Claw (2023)

Directed by: Sean Durkin

Cinematography by: Mátyás Erdély

Edited by: Matthew Hannam

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Babylon | ShotOnWhat?

Dailies Workflow Specialist: Company 3

Babylon (2022)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Ambulance | ShotOnWhat?

Dailies Workflow: Company 3

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

First Man | ShotOnWhat?

Dailies Operator

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Fast 8 | ShotOnWhat?

Dailies Technician

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Death and Cremation | ShotOnWhat?

Colorist / On-line Editor

Death and Cremation (2010)

Directed by: Justin Steele

Cinematography by: Akis Konstantakopoulos

Edited by: Adam Beamer

The Dark Knight | ShotOnWhat?

Production Assistant

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Wanted | ShotOnWhat?

Production Assistant

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

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